— dining & entertainment

Civic Club's First Meet AVALON - The Women's Civic Club will hold its first meeting for 1965 at 12:30 p m Monday, March 24 Following a short business meeting. Marilyn Booth, biologist for Atlantic Electric, will speak on acid rain Refreshments will be served Meetings are held in the Avalon Room of Borough Hall Rummage Sale To Help SWIM NORTH WILDWOOD - A rummage sale for the benefit of SWIM Inc (Specialized Water Interest Movement) will be held 8 a m -5 p.m. Saturday, March 2, at the Rescue Squad Building. Fifth and New Jersey Avenue here For more information, call 522-5692 after 5 p m

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In the early gob, hundreds, maybe even thousands, of young folksingers found their way to New York's Greenwich Village There they worked on their art. striving to be respected like Woodie Guthrie or Bob Dylaa/ With very few exceptions, these folk musicians recorded for either Vanguard or Elektra Much of Vanguard's music remains in print, although more would be welcomed, but. until recently. Elektra records didn't seem overly concern ed about their past' They neglected to keep much folk music in circulation, concentrating on their current successes FORTUNATELY, that's changed as musician/historian/fan Lenny Kaye has compiled two box sets that would make good use of any Christmas pre-

sent money any of my readers might have gotten Not only do these shed light on what was once a vibrant musical scene, but they show how Elektra records struggled from being a one man. Jack llolzman. indie label into a major force. Hopefully, it'll serve one more purpose and, that is, inspire the new folk movement to become more focused and adventurous Both box sets come with well -re searched booklets that are full of super rare photos Bleecker and MacDougal is the better of the two. On the four records in this collection. one is treated to a variety of styles from the overly political work of the late Phil Ochs to the raspy blues of Dave Van Konk. to the passionate tables of Fred Neil to the brooding, moody lyrics of David Blue There's even more commercial folk sounds from I the likes of The Lirneliters. Glen Yarhrougb and Judy C ollins. All in all. this is an extremely cohesive set that sounds as exhilerating as when first issued 20-some ' years ago These were young people with import ant issues to talk about, and this acoustic music is more potent and powerful than any electric rock Crossroads: White Blues In The 1960 s covers an offshoot of the folk music scene, the white blues move ment Once mastering various folk styles, some musi cians decided to concentrate solely on black blues tradi tions What makes this three i record set a notch or two weaker than Bleecker * MacDougal is that several important artists, most notably John Hammond Jr.. who recorded for Vanguard, are sorely missing This doesn't come close to pain ting an overall picture of the blues artists, but it does draw attention to several neglected performers THE FIRST album deals with the rural blues of Koemer. Ray and Glover. This trio's music (acoustic guitars and harmonica > was very popular on college campuses, yet they're for gotten today If there's any justice in this world, this record will change that The second record shows the evolution of white blues from the acoustic work of Dave Van Ronk and Geoff Muldaur to the electric sounds of Al Kooper. Lovin' Spoonful, and Eric Clapton. The final album consists of the legendary Paul Batterfield Band with guitar hero Mike Bloom field. Drop the needle on these grooves and it 's easy to comprehend why many refer to the Paul Butterfield Blues Band as the greatest white blues of all time.

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