The TIKES will rrfuriji AND GIRLS

paid for any da*«itied ad that fails to bring more

_J advcrtiKcmn-nt ‘ paper In Cape May CoutfTHY PERKINS daaailird Advertisian-ii f ^11 h« LS . HANDICRAFT BOOTH

FOR A FAIR.

-nr

nwth HU \ r '" n ZZ

-MvettMaa at ralat . \ - •'—■ *• -••lam plan for a

Caro. (1 per inr»l»m plan for a handicrafl booth KSWarat* * cU ** ° r tlrU cmn make on® •adtM Nminr-. fin-i pa*® moat attractive and be«t-patroo-

features of the church fair. Your

rharrk. - aouriuafa^ 11 handicraft can be placed on sale.

ro,, *“ bn,l<! the b00lh by

anakiu* ■nonei aiii k owing the plan I have worked out

wadtaa so Ufa rate*. FI*. 1.

taw «...ui»c X0 ^ Boca Vuckxr«; and ®* r *'° *'***dotted _>ni. to ®fh Klf. Cleanina. ‘ a«li> callr.1 ta/ the *• •■•S.t of

wide and ten Inches deep for the corner supporta. These boxes must be mounted on legs (A. Figs. 4 and 6). made of pieces two Inchea thick, four Inches wide and twenty-six inchea Ion*. The supports for the

improrptiu, floe I I*S !»• moitih . ^pptr u»i. su 1 cur i LOST Ah JWHJNO. Al^J} paytag cspci.C.

NOTICE T‘ \ EMTATK OY*

canopy are nailed to these boxes (U. FI* C). T^rdtataiCle apart to place the box aunpona will be determined, of course, R/rtbe sixa that you want to make the ,‘* 0 °th. Seven feel square, outside measure menu Is a good sire The counter boards should ho twelve Inches wide, and Ion* enough to make a continuous counter extendin- from corner to corner. This Is not shown In FI*, l. but It Is Indicated in the plan diagram of FT*. S. The canopy framework is made of four poles (C, FI*. I). The lower ends of these are secured to the tops of uprights 3, and the upper ends suspended from s screw eye red Into the celling directly over the tops of the booth. These poles must project six Inches or so over the tops of uprights B. gnd be long

kg'-s’-a lUrtP * . 0 e * arj«3L,\c>c* .

I***

Diversity of detail la a striking characteristic in the new models. In the morning blouse to wear with the tailored suit It la the brilliant coloring and odd fastening that la the great style change from the preceding season. Made of velvet, satin, faille, georgette crepe of taffeta, it matches the petti coat or lu new rival, pantalettes, of the aame material, generally a ktdUke finished satin. The blouse and pantalettes are now attached to each other. The pantalettes, which are made on masculine trouser line as to width and general shape, are no longer than the short skirt worn over them. The hem of the skirt, undulating or falling In points, partially conceals the pantalettes or delusively gives them the appearance of a tight drop skirt. Sometimes the pantalettes are drawn In Uks bloomers. More frequently

:b to run up to a peak at the cenly screwing s screw eye into the if uprights U. and one Into the side of poles C (Figs & and «). lies can be joined by tying loth® acrew eyes with cord, a screw eye Into the upper end C to tie the cord to for busthe poles from the celling tissue paper In different colhe best covering material for framework. Figure 1 sugstrtps of the paper may be tround the corner uprights and is. how s latticework •f twisted ropes of crepe pa be extended around the sides top. and bow ribbons of crepe paper may be used to Inclose the canopy framework. ITetty homemade cardboard lanterns hung from

Party Frock of Taffeta

they are edged by bands of fur. The lacy pantalettes of last season of tha old-fsshlonsd kind and longer than the skirt are almost never seen now. In the evening gowns the pantalette Is confined to the charmeuse drop skirt, which la almost lost to view under the diaphanous outer skirts, long and short, that hang over It. This pantalette drop aklrt Is pretty because It Indicates the long, slender lines of the limb* more than a mare drop skirt would and gives Us same appearance without shackling the wearer’s movements.

•Wrl ef Last Autumn. However, May Be Bald to Be Definitely Shelved lice Will Be a

There is no settlement of the fashion question yet. Happily, the various styles which ware brought over for our selection are swinging from one silhouette to another like s pen dulum. There U reason to be happy about It, because It spells a certain degree of safety fur the woman who knows what she wants and can find It In the heterogeneous assortment that la offered. Some of the beet American design era are Insisting on the moderately narrow skirt, but the skirt of last autumn Is definitely done for and must be shelved. The wide tuntc over the skimpy underskirt belongs to s day that is dona The coals of last autumn are not as hopeless as the skirts and bodices, but possibly It la easier to get a new suit than altar an old skirt. However, no one can lay a finger on any ons fashion and say It Is the ruling one. There seems siltl to be uncertainty at regards the beat fashion to choose tor an established winter style. The cuirass bodice ie one of the revived fash Ions that women greet with approval. It saves one the reed of worry about the waist line. No mailer what the new corsets are unable to do to flesh that has hardened Into stubbornness, the medieval bodice, made of any cloth, hides a thick line and leaves the onlooker ignorant of the site of the waist beneath. The metal cloth Is preferred by Jenny for these bodices and she uses them over voluminous skirts of tulle or lace. Sometimes the lace Is of metal over a taffeta foundation, and the bodice Is of heavily brocaded satin or velvet. Blue predominates as s r. Black la rarely used In this kind of a frock, although Premet has it over a model with a white tulle aklrt embroidered In rhinestones that has a bodice of black plush. This has straight lines at the aide and the medieval decolletage, hut It does

Tha model is of cream-colored lace with a peplum of lace coming to a point on each aids. The waist ‘e mads of lace laid In plaits. Tha shoulder straps are of blue velvet and ribbon* hold the waist in place. A rose Is placed In the front of the waist where the shoulder straps are sewn. A satin girdle completes the costume.

Party gowns may be fa'hloued In a j to the pattern. It Is supported by froth of lace and net. In layers of ‘ suspenders of black velvet ribbon over chiffon or net. or both over a silk the shoulders, edged with scant ruffoundatlon. Ur they are made of the j ties of malmes In birck. new ana beautiful taffetas. And no The skirt Is moderately wide and matter how airy and unsubstantial j Didabed with a heavy cord at the botIhey may be, bands of fur are very tot wuich weights It and preserves a likely to appear on them. Kmbrolil ll’iie flare. It in cut so that a bit of •Ties of silver thread, the introduction dr|ping la Introduced at the rignt side.

Evidently B ora What la bellevvd gaff habited residence

Subscribe f*x I*** *^- % . ra U ‘‘a-hM V

the ends of tbe canopy poles all. a finishing touch to the roof Tack heavy wrapping paper u counter boards, trad lhar cover with cbewsocloth of a color to moolae with the tissue paper minga A pretty effect will be tatnud by plaiting this as tndicao Fig 1 One aide of tha valance ha mads to part, to pr^vtds an

Iver laces, and a use of span i gied trimming tends them ufe and sparkle. When designed for youth ful wearers trimmings are to be spar-

ingly used.

A lovely mod-.-l appears In the pic- j i ture above, made of taffeta. This silk [ Is shown in a new and substantial- ! looking weave, in all the light

g weave, in all the light color*i fascinating opalescent eOects/ i Any ut them will be suited for deve t ■; ment into a gown like that ahowA

1 here.

j The bodice Is simplicity itself. Jb far as shape Is concerned. It Is mere- - ly a broad trad of the silk w- I.'pod

■„ the ngure and fasten*'**

a pretty spray ot little chiffon a long wire (wound with ty-green ribbon), la tacked to the several places. These roses pastel colorings aod add a youthful touch that looks sls tf might have sprung from tne mind

if the young wearer.

Slippers or blrl- isced boots of aatln are worn with dancing frocks. / to match them in color. Those made of sliver or gold tissue have the advantage ot looking well with a frock ot any color. 811k hose man-ning the slippers complete the details of tbe

costume poperiy.

Dancing Skirt, With Bodice of Black Pluah and Tulle Skirt Embroidered In Beads and Brilliants. ektend as low on the hips as most of these bodices do. The epidemic of coachman's collars which came Into fashion with the high crown postilion hat have been so commonly worn that a large number of women have Insisted that furriers and dressmakers should Invent

something else. The consequence Is that all kinds of chln-envrtoptng col lars have made their appearance. (Copyright. Hit. by the McClure Newspaper Syndicate)

HAT AND COIFFURE STYLES Whits Felt Headgear Likely to Be the Favorite of the Younger Generation—Bead Trimmings. Tbe younger reneration will find the hat of white fclL trimmed with a bow of ribbon or a band and ta of beads, usually becoming, while their elders will wear the toque or sailor of fabric. Speaking of bead trimmings, nine out of ten bats have small porcelain beads used In some form or other to adorn the brims or crowns. There are borders in conventional designs of one. two or three color combinations; tas eels and cords formed of beads; bead fringe and bead encrusted bands woven In true Amej-lccn-lndian style. Just one word more anem the new coiffures. The broad-brimmed sailor has brought about a change In the arrange ment of our tresses. It can no longer be drawn back, smooth and wavelrss. as It was for the summer hats, but must be wavy and looser at tbe sides. The proper way to wear tbe sailor Is tipped over one side, and this means that there must be softening strands of hair puffed out at the aldea "Straws show which way the wind blows," they said, and Judging from present Indications the hat of felt or fabric promises to crowd out of existence tbe once popular velvet chapeau.

PETTICOAT MUST BE FLUFFY MATTER WELL TO REMEMBER

’■as*

A*,t Flars Must Always Ba So Arranged That It Falla From the Knees. Pritlcost widths are from 114 to r-. yards Plain and accordion plaited Bournes are run with cording lo move any fulling closely around the ankles or above, as few petticoats come to tbe ankles. If a petticoat uatches the ault. It la likely to he or African brown, taupe. Russian green, black, wine, navy or purple Plalded petticoats are darker than usual, of rich combinations. The Bare all come* from the knees down Chiffon and Georgette crepe petticoats are made of every shade known in dresses, from white to black. They are usually of white, flesh, black, navy, uufw. African brown, dark green or purple A cotton petticoat ahould always be worn under one of chiffon, of the same color, but not as wide Princess slips to wear with onepiece dresses are made of cotton, nice saline, taffeta, crepe or lingerie cot ton. A fine quality mohair fabric ia used for petticoats. In all the shades la very lustrous, and Is washable and dual shedding and will not crack or crease. For those who prefer filmy cotton and lace petticoats under an evening dress to one of silk fine or gandlr Is made up with tiny ruffles and >al lace Crepe petticoats that clean and launder are gathered lo a deep-hip yoke, wlh an accordion-plaited Bounce tower down, headed by a satin ribbon run lu a casing, tied at the back. While crepe pen b oats of s very drossy nature ere flouncad with bandpaintvd art.

Women Having Eyebrows Removed Should Recollect That Fashions Are Liable to Change. Have you ever consoled yourself, you with the heavy eyebrow, that graying hair and waning color would not make your face look oldT You prided yourself on your heavy eyebruwa. didn't you? You though: that tb v would sill) give color and characn to your fare when the pink of your cheek was faded and the hair above it was white. Eyebrow* are no longer fashionable. No. Borne fashionable women have even gone so far as to have their eyebrows taken out. part of them at least, so that only a thin. Japanese line la left, and this Is darkec< ! and accentuated with a pencil. All very well—unless you remember that fashions, tf fashions there are In eyebrows, change Perhaps next year bushy brows will be In fashion—an! (hen where will the woman sans eye brows be? Car the beauty specialist who extracted those small hairs this year replant them next year to order? Hang In Damp Place. When you have a silk dress that cannot be rolled In a damp doth or otherwise dampened, and yon wish to ■ it out. try hanging It In a damp place for a few hours and It will absorb enongh moisture to press nicely. Combinations of Fabrics. Fashion provides so many attractive atyles tor r»mbtuiug material* that last year's frock arwl aot stay ta U s

| Cy IZOLA FORRESTER. g Bellamy was assigned to the Black Creek station In February. He went to It grimly, knowing all IU demand* and dangers. It was not oaly Wac* by name, but It held the black balled place of honor with every operator In Wisconsin. Timber stretches, then the river, black and turbulent, then the embankment and railroad tracks and his lone eyrie perched near the water tower—that was Black Creek station. Back In tbe hllla, tf you followed the corduroy road, yoa came to a few houses. Bellamy boarded at ons the first week, but tired of U. and he heard of Ua Appier • from Operator No. 10. She was stationed down at Sweetwater. eight miles below Black Creek. After the firs' week she would answer questions, and when he complained of the food and lodging up at the halfhreed a house, she told him to hang on to the 7:10 local and drop off at Sweetwater and she d take him over to Ms Appier’s. That was the beginning for Bellsmy. All his life he remembered tbe picture she mude waiting for him on the platform. It wasn’t that she was so beautiful. Bellsmy only knew that she was Infinitely tender and womanly. He found himself telling her all bis hopes and plans the third night, after he had become a ’ regular” down at Ma Applcy’s. And when he had finished she had nodded her head. "1 know. I think every one should set something ahead of him and then run for It. Id rather be anything than a quitter.” The thought of that had made him hang on to his nerve through tlx months of Black Creek, with Its 1 oneness and hard work. The river bad been high all d«y. When he took the station over at six. Tucker, the day operator, told him he had tried for an hour to get an an- • from Packer’* Grove, twenty-two mile* north along the river. "If there's a washout up there well get It here during the night, and Sweetwater and you 11 hare to hold back the trains.'' Sweetwater and he. He called her as soon as he was alone, hit Sweetwater sweetheart, as he laughingly named her to himself. Madge Lowell on the company’s pay roll. "Keep at the key." she called. “No matter what happens, don’t go away. Thera are two passenger trains besides tha express, and It’s up to us. beemuss we re at the top of tbe valley and will get the first alarm.’' It was a quarter of eleven when fas heard the roar up the valley. He leaned out of the little aide window and saw the river dashing below. It was over the siding tracks now and rtslrg. He called Sweetwater and told her the flood was booming down the valley and the tracks were going unjer. And In five minutes the called back that the express had left Chippewa Junction already, but she was signaling It from her nation. It u passed he must call tor help. “How can it pass you?" ’The river may get me first." Then be understood. He was In a tower, but her little shack was on a level with tbe tracks, a few pine hoards with a water Unk on one side and a semaphore on tbe other. The river would pick It up like a chip. He begged her to go away—to leavs the Halloo and summon help. She said there wasn’t time. Tbe express was on the way up. And then Bellamy tried to make the key carry hla message to her. all that he had meant to say. all that she was to him. And she called back Just this: T know, dear. Here comes tbe express. The water’s up to my door. Good-by." He staggered to the window and hung out. listen lug as if he could have made the night tell him what was happening out In the heart of II There came the call of the express as It swung around the curve below her; above tho roar of the waters it cams fslntly. a far-off, broken shriek. It teemed to him. for help. Then silence. He called Sweetwater doggedly. but no answer came His wire was still dive, though, and ho caught the fir« big town south, asking help for Sweetwater and the express Through the alow, dread hours till dawn broke he sat head down on his arms at his table. Yet mho had told him to stick and he lived up to her measure of him. answering each tall that tame up the valley, warning each town along the river, stoppm* each train at the points of safety as ahewould have begged him to do. ’ Tucker came an hour earlier, cheery and riotously overjoyed to find tha station safe. "Bad night, eh?” he asked Bellamy did not answer Ha dropped down to meet the local a. » came cautiously dong And a* b. ^ ™ chto « «* ‘ b ® Platform hi «w Mmlge on the .tep, o! th<1 ^ car. She slipped Into his outstretched arms Joyfully. ““iretebed J2T* ,h '‘ m ^ Tom - she Tucker called . tower io ' ni fro ® th# • Headquarters on th. * lr . - A^Port"^ ^ ^ ES