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Kin Hubbard Essays

THE NOSE AH ~'i JEJITffl* T CHARATra

DresseS^, yaneriWiH

Th' Nc«r U Nature’* Me*: Humble Orcan Ne»t f th‘ 6>B Tu«. Th’ Whole Human Character It Boldly Written Thereon So That Even She Who Runt May Read. Ther't No Reatont fer Anybuddy but a Blind Girl G'ttin’ Stung.

droi>;. r.r not to driwji? If lilt j.tum ta thin an" not ilisinnud f itroop let Star take trainin' nr*- It It too late, fnr 4t l» a never failin' aisn of a retired thn 1 h' note U nature'n moM humble tirran nest f th' blc tin-. Tit *l»i»l'tiunuiti eharaster l.« txinlly written there, rt.. to that even the Who run» tnay reid. Tlnr * !•»> reo*on f«-r «t.> btul'M hut a hllnd clrt cittln' ttunc. Wh. her th" now t« |>tle. red or Veir ‘ It It now rvtarde.1 a* tl. •ml} rH mdei (haraeter. I try. veneration. e.«n*trurtivrti»*t. enr •nett, mental imitation, tublie - : eaimially cegnlt'ilvtmet* (a dS; • ion t* ae*julrv prif»-rly. tauney.

avail* l.ut little. Iwwever if th' »er»turn la larkin' In th' peeuilafltle* o' th' genuine. I.v.ii an atnj.h- — jitcm will not tave a j.ug nw whl-ii Indl'-ute* an early il Ivor re on th' gniuiul o' Inhuman treatment. «»' rourte. It'» |.ur»> hard f a«aoriate any wentimeM with th' noae. no matter how <ioae we orrathinali) *lt t’ it. hut Je*t th' tame If th' proapertlve hrtde.-while hoolin' haO-l*. Tl Jett make •■areful anal.o' her ft»nee'« note ntnte ther i* y.t time it may be th' luesn* o' »a.lu her th' e.-obmrrattiuent th' pah-, hungry rspreastoa tha* t* t' l*e found oil too i^teo on tl. fares • tho*e who have sought tia[ijijne«* at

•r flr»! »i ton or aiik Into fine »e; might h..ve hem m«j<ired by the imrn.-g nus; tin;' rt»«t from lake* an 1 An amblti-c to clothe human I—Inr* In - d&rthinr a* ot.i an-l airy and at little bttrdenaome a* the ml»t Itwlf. hat wedd—! de«lgn<-rt to tile Idea 'hat net I* the loveliest of oil thing* fie autmuer drettat. They c - on turning out new tnodrlt of many kindt. for net lendt ittelf to uiany tty lev And women c> on buying net gown* for d-ytlme an! for evening u«mr. for the take of beauty and tummer comfort. A white net ftVH-k It thown IB the pi it u re nia.le over a tliji of organdi--tn white al~.. Bur It 1* .me of the advantage* of the tat fr.«-k that «l!pt worn under It may lend It cuiivr nd be|ji aiM that wplre of variety whlrb

:• »-*•. to drew*. Each frock merit* - two colored »!i|** In addition to white, g.ving to it a wide range. '•*ilar la thU particular model

edged with a ruffle of net

i ornamented with a very Ample 'ration of «Uk tuvutai-he braid, it Urge that It is really a cape fallg more than half way to th- waist tie- I ark. Braid on the bodice dethe neck and the edge of the belt, nea a from waist to hem

i the front of the aklrt.

A wide tuck is art In the aklrt above ■e hem and the straight, plain sleeve* v relieved by a similar tuck. Bucketle»a gown t« o*«t in tbe mind ! nnjotje thi« summet. brace large acket* at ivo-h side of the skirt make n excellent pla'-e for more braid. r.s-!iet button* in gmuii* of thii-e put »e hnishing touch on 1»slice and le-lt.

Sweeping Lines In New Clothes

Sew Tort—Luclle firmly bet!eve* strength and Imp-irtance. It „ k that the time ta« come in American longer advocated by the few. b-.- . faafc:-« for women to wear long. Bow- tbe many dressmakers, lag Use* of dignity and abandon tbe There U no wholesale repetition ^ haif bodicra. lack of sleeve* and short. Colorae co*tumery |_ the*, r. . . ^ tra*»parect aklrt* whl-h hare ruled Prencfa goon*. The Angle g,as for three year*. that I* taken In It* original {..rm She u difialtliy eeenmittad to this Msndartn coat. It la u*ed a* *:. ^ :d*a and U deAgsing all ter autumn ulng wrap. In Amenea there has clothe* in BarU and Loodcn t« meet ■ *«pet .bundance of Chinese <Aa the purpose worn after cmndirUght. The reason that her rtatetnent has One extremely good looking S-* rock force Is, that no oee denies that Vork woman who ha* twee t-W tas she revoiuf.oc.j-d haHroom drcaAnx *te somewhat reaetabbts the ar c, aa the Vernoo CaAirs revolutionized drawing* of Chine*.- face*. cOMUg-J; it* daiw-ing and Irving Bertie revolu- •Pl'ears in tbe evening with a r.cciaed it* mwAc. Mandarin coat worn over her trort The Ca*t?e-Bcrttn-l.uc'.lr cimV.nation H.-r black hair brushed bark froa ha* been in Eurwpe. the ■ymbol of coiffere. complete* the plctcre <: Asenra. But with Vernon Castle In o'J<l« ■ ttveat fan of peacs-k fr*t) the aviation corps with Mr*. Oastle i cn- set In stick* of Jade. On. L.. . dm dancing In putdlr. and with Lmilr Amur impulse to lift her up aai »•> *-#? c.g her far-reaching purpose to her <-n a tiny i>ede*tal <if teakwOv»r In* Bnrta the Chinese i ; I «tpre»*ed In the new gow n* in lia-* u well g* in embroidery and c . ' Tb'- attempt 1* made to awing a y s* ! fre.-!y away from ti-e body In ex * ! lent f-dd*. and then gather it la v-h-re nrar the normal waistline by

glnlle.

j There Is a domlnnnt Chinese no u 1 th«- house gown* One I* made of , green velvet, ao thin that It look- \'u ; satin. The lining 1* of Chine*.crepe. The Mandarin ejeev.-s p!r:«iy cover the arm*, and th- lag straight w.dtha. front and ha- k. drop

J to the ankles.

| There l* a .lip of flesh-'olor--i -tdfun over saiin. which cling* ci-^-'y t» ■ the f.gurv from collar bone to l8»!<p. ami over thl* slip, at a high walci the gre-n velvet material is •■a: , with a large, square. Chinese ornaru^t In Jade. There Is a necklace of }t> ticnd* that drop* down the froc: of t> flesh-colored lx slice and fa*ten>

the v.aiA'ine.

ANCIENT AND KODERN PHOTOGRAPHY

th' de Ilm* il. Tiiat's flu- N-.w throw th' . t <but wore chin well back a little tiny bit more, like Cullodioi: liiat's fl;..-. Now. nil feet close "art studio"} ' g-ther at.'steady. That Tl do." Then ■ -.tn- »|-xia'. > .r wife b-.k.-l like rf dark . i t.-r him) .h.-r tir-t vi.-w Alt. Tacoma

ipal B'lou Inter'-.. 1If yon had r bulgin' fore■wiler th' high light* an'

Hera ia the hat with the palette

brim. It it built of thin black aatm j There I* another Chinese gown for and geta it* name from the curve of ; dinner or th- theater, made of Clun-w ita brim. It* only ornament* are twp yellow brurade. i-xtraordlnartly w-f: large pm* of white Jade. nn ,j supple. It is lined with fleah pci frircluj .»d brln. I. ! ^ U cMta IMW .1 b HU n. S - - rMn—Wo- rt.lffoo

' Il»»J .S .1 <b-

’•™ .J.™ <,r Am,™ Mi., u., i ”• ‘■-‘T",;* * ;?r * „ , . . .. .. , , plice. und the glnlle la of tbe mtte

towb. of ImrtX .. ,hw lot JUoL :

'TT? , T . a ■ “1' ** lk ~'"f ireniK.r. 0, r-lto. WM

bolr oob too... .Ur;»rA - ^ ^ J

will ace a continent of women who

look .. .on™ n, tb, ilm™. ! T " ”* 0 Tb, to. b..^rt. ib.t have b—n .H ' rah ™‘' W ’- — r-froJortox

vanced a* forerunner* of what Is to ! come thl* nuturun. have about them n I dignity and serioaane** that the men of the community will upp’aud an<l In-

nrnc.

There Is no undue showing of the jnkles und shoulder: the bodice, are subdued In the deruUetage; tbe long altig-like. tuedli vnl draperies cover the arm* and fall to the*knees: the chngluc skirt* start at a slightly high waistline und full again*! the figure and cover the feet. In tbe manner of the eighteenth -viitury. It I* not a gown for the type of youth that we cull flap;>er. or. os one of the darling v-ung editors of the day has termed it. poulot a lu Ziegfeld. The Graceful Long Skirt. Th-re 1» "otbitu •turtllugly new In 'li - gown* which v>ui lx- worn during the late summer an-l autumn, if thpropheiie* of tbe <-i|M-rt* come true. They have bera *b"Wn In Am.ti-a ever site-.* January, nnd lu a certain blare of Orhnlnl splendor they have l*.vn worn by smart women at ceremonial functions. It is not. however, the giirge»u*tie** of the Byruntlue era. that 1* to lie repeated in tl.e newer «t>ie v»f dr.***Pig for the second linlf of the year 11*1 T. Soft satin*. btVH-ade* tliat have no Ixwiy. g'*>rgette« that look like n.t. chiffon that resemble* tulle and the i-repes of t'hlau that cling to the tigi:fc. atv the labnrs 'hut vviH lowurd the making of the dignikeU gown tor ertou* epoch. There are inky black gowns to be worn, which are made of georgette that hu* no «h<*ca. There utv gown* of silver gray ebarmeu*'- that swirl and eliug to the figure from Aioubhr to fl.s»r. The folds «f the skirt are softly pushed ■Sloe by tbe sUjqHqed f,x>t u« the

Thu

a the C

Rival Fabrics in Children's Dresses.

* girdling

letage of 18^0. °it it of black c printed with beuqueta of coiotri Tho barrel skirt ha* a deep h ' rose taffeta, and the Empress C. bodice it held by a band of the

He Didn't Cart Abov Buttoned Stia-g Evei'thmg That

t th’ Arrangement < ’ll. but He Wuz Ihi W-il Comm’ t* It

; v.Tj little girls. Iiidla Uueu and U them, a* avallabb white dre»».-s thin

>« bite

utklng an Important tb- wardrobe «>f it promises to rival list.- or to out rival f..r the plainer thin are needed In quanAN.-* especially lu lursbiUty Is v strong nr it aod II I* made

.Ir-oM-s that

at

It I* the nd for

* their Ut-

. with :

■ osrrl i-sAy. limp. Thnt'a h 1,40.1 on bis nil inget - -uh. I •« !t 'land We’

• <v did bke t i" A t'duy** pln-’ogn pi. f dt lb' d-dre i ;h' left . keck lu .

ihown tn the plcsklrt ael "n to

light yoke and finished with a vide hem. The hemmed edge of A' ' Stead* over the aklrt. like . and a row -r brier stitching in n*.-d crocb'-l Cotton define* the I tbe bcm. It* lower edge and Igea of the (Vx-ar and iniff* *r«- all -d with a wry small crocket e»lge • moreenaed «oUo0 thread. u*u

Iw-lhl

tbin of the liaraar* of | c,.-k f-uther on aatin and ■ t i They uae fhe original color* U

Tin-i -i-rs do nul clash like aymtol* .-as. *. t'U! oftvti. the sha|«Of Vi. -uy Vberv Is nothing tilumih trutb.-r I. Indicated and filled an^alH.ul the rjw.H^ iLst a Is-mv-k never gre

f for oraameoL

not poverty- j

7

In arms against unae.v lets. But ( b,y am a revolt

t Ch.v*ae Touch.

! moot th*’. tb- Chian

Reducing tha Wa.atbn . de Mi:., walnta. a»:: i women with waist* th» [ i A very good e»er>v~ •*<* i* -.* follow*: Pl» ‘ on the hip*, t—ml the l; sod A retch the ana* dnger ’.-.o tiAuch the ■u bend down aod tahal> rl.tra Us Heprat Iht* or flv tltuoa da.ly.