Some housewives say they would

three hours.

gladly use the cheaper cuts Of meat, but that they have been unsuccessful in preparing these cuts In appetising ways. The following recipes from the borne economics workers at the Sta.e College of Agriculture may help: Hamburg Roll—Two pounds ham burg, one tablespoon minced onion, one tablespoon minced parsley, two tablespoons melted butter or dri|e pings, one teaspoon salt, pepper, milk. Mi* all the ingredients, except the milk. Add enough milk to moisten the meat so that it may be flattened on a board. Spread !t with a stufllug made by using one pint bread crumbs and two tablespoons tomato ketchup, season it well with onioj. celery salt

FAKING ON THE MOVIE FILM

Dressed Beef Flank—Remove extra fat from between the layers of the flank. Roll the flank of beef close nd fasten it with skewers or tie it with string. Put it into a kettle, with boiling water, add sma'l of bay leaf, a slice of onion, salt, pepper and one tablespoon vineCook slowly until very tender. There should be only a little llquoi in the kettle when the meat is done. Put the moat in pan. cove-, and press heavy weight. Serve cold,

sliced thin.

Liver B'>ast and Stuffing—Roast. Two pounds liver, two th'n slices salt pork, salt and pepper. Stuffing: One cup stale bread brumls. one-fourth

minced celery, pepper, and add milk i«-uP «w*ed »>» m - niinci 1. two tableto moisten. Fold the meat toward the spoons minced onion, on • tablespoon middle, presrlug the edges together, minced parsley. one tablespoon llace in a dripping pan. Arrange two strained tomato or tom: to ketchup, or three slices of salt pork over the (Make two or three deep cuts lengthtop. or brush the top with melted fat. jwise of th. liver. Add sn t and pepper Add one-half cup boiling water. Bake and roll in flour. Mi* the ingredients 30 to 45 minutes, basting frequently i tor the stuffing and All tie cuts with Chuck Boast—Three pounds beef. ! the stuffing. Place the li er in a deep one-half cup tomato, one tablespoon pan or casserole, placing the slices of minced onion, bay leaf. salt, pepper, pork on top of It Add two “ parsley. Score the edges of the beef boiling water -*r meat f slightly. Dredge with flour. Brown' closely. Bake slow’r t^.o the entire surface in a small ao.mint ing frequently Retnov of fat Add seasonings and boiling , from the pan. strain the liquor water to cover the meat about om- r.dd on,, tablespoon butter and two quarter Cover the dish closely, and j tablespoons flour to make a sauce cook slowly until the meat Is tender, which may be poured around

which will be two and one-half to roast.

. bast-

liver

NEW FROCKS FOR LITTLE ONES

Warm weather Is bringing out some charming little wash frocks for tlie wee summer wardrobe. These are very different, too. from the wash frocks which little girls have been wearing under heavy winter coats. There arc new ginghams, fer instance, with straight lines or long-waisted el feels of green and white check, the akin made straight and the bodice on the bias or vice versa. Green seems to be the popular summer color for gingham and chambray. Organdie is. of course, more popular tbau ever. It is made now in a brilliant red—• Palm Beach" it is called —and relieved with white net footing, or white rickrack braid. So daintyare the little frocks, and so simple that one forgets red is not usually a popular summer color for children. Pockets te Be Sure There 1 is a great deal of Rumanian and Slavic embroidery used on fine white voile, batiste and linen frock* for little girls. Usually the geometric designs in rich red and blue, red and black, red and green or a combination of these colors, form the yoke and epulets reaching to the armhok Pockets are added and sleeves ar

curtailed.

IMmity is a material being called upon for the finer summer frocks, orchid it Is particularly dainty and cool looking. In rosebud prim it 1; adorable. Even tiny tots who have given up bonnets for sureenough hats, are wearing these daily colored organdies and dimities, inverted picot ruffles at the hems, yokes of fagoting and sashes of organdie. Often the little bonne: matches the frock and is cut mushroom with tam crown or in true bonnet shape, with ruffles and strings

under the chin.

An English Novelty From England comes a fashion far youngsters which ought to lake well over here for seashore wear. That Is the knit frock, one-piece and slipover, buttoning on the shoulders and trin mod with contrasting wool band: The fashion of dressing children wilt very short skins and socks until they are 11 years old is also gaining ground in this country Little girls are having their hair dressed straight back from the forehead and banging natural curls or straight without ribbon bow. Sometimes the filet of ribbon is worn, but the huge hair bow I seems for the time being to be lying unused in the ribbon bo*.

Seen in the Shops

in all th should r I have lately t would li

that the field flowers art- ou' »ry. the house and porch b«- without Its blossoms, keeping my eyes open nice large vase which le great big bouquets of daisi-s. buttercups, iris, and later goldenrod. and I Ihink 1 have found the very thin*: Incidentally, it will make a fine wedding gift. It is one of the new colored glass vases, opaque in light blue, pink or yellow and is cut very neatly in n latticed diamond pattern. It stands *»n a small black wooden base and measures a inches high by 7 inches across. It Is

priced only $3.75.

Just for today some splendid little dresses for the little girl l ave been reduced in one shop to $3.65. 1 was fortunate enough to get advance news about Oils in time to tell you so you could Uko advantage of ii . There are ail kinds of sires In the lot. chambray gingham, lawn voiles and organdies, some with little dashes of handwor* and the plainer frocks for morning wear with bloomers. Some of those practical little play *lre*ae> with th - rubber in the item are included. This Ik a sale of which every mother will like to know about. I'm sure. A shop that deals in men's wear Is closing out its ladies' stock.ags. a well known brand ot good make, at considerable reduction. These s ings have been selling regularl; $X.60. but until they are gone wil for $2.09. including the war tax. can get black, cordovan tan and dark gray In all sires if you do

There have been things screen that you knew were faked and it is a reasonable curiosity to want to know how they were done. Let it be said that they were only incidental: the vast majority of the scenes shown on the screen are genuine—obtained at enormous expense and {tains or, in the case of "stunts." performed at varying degrees of peril to the life o.*

limb of the actors.

week recently in California locations one thrill-actor was killed by falling 700 feet from an airplane, another was fatally injured In leaping from a fast-moving train, and anothc' badly injured trying to make automobile vault over a locomotive - something snapt at the critical mo So the fakes are exceptional. Bu' i their face somethings are tricked ?. For instance, however much con fldence in the Jr Tend "there were giants in those days," you have carried from your cbi’dhood, you know that there are now no one-bundm!-foot giants in the California mnvie studios. And yet you saw in Bryan I Washburn's comedy. “The Six Best Cellars," a human monster walk down the roadway and drink out of a demijohn while people of normal sire, but demies by comparison, flanked him

on either curb.

The giant was a real man. "even as ou and I." So were the people over whom he towered, though he couli have put seveial of them In his vesi pocket. How was it done? Double exposure, your answer. Wrong— though it might have been done that ali done with one “shot." ana it illustrates how far beyond double exposure camera ingenuity has adThe "giant" was the creation of W. L. Hall, a genius in the service of the Famouse Playens-Lasky Company, built a platform sixteen feet wide in the street, resembling a pavemen; reaching from curb to curb, on which he placed an actor of ordinary sire. Back of this platform, which was sev-enty-two feet deep, were the thron; « of people. Now the skill consistd Ir.

Fufcloo, .r, » aelO"** N.vv bio, weather. Jo.t .boot , yeer .so Duo, ^ *■”< l»P" Ur - *" <1 *

Moonshine Increases Through W. Virginia Charlestown. W. Va.—Moonshinin.*. in West Virginia is increasing, accordng to figures and reports received t the State prohibition department, here haring been more stills raided ast month than in any single month in the history of tins State. In one aid a still was found in the attic of a •hurch and the janitor is charged with being engaged in moonshining. .Another was found in successful opera at ion in a residence 50 feet from the State Capi'oi. the seat of governmen'

in West Virginia.

In a raid made by officers in Lincoln county a ..till was disclosed

premises of a rich farmer, showing poor and rich alike are doing it. He owns two farms worth at least $20.000 each and had a large tobacco crop

And the illiterate and educated alike

too are doing it . In Summers countv a still was captured In the home of & man. who had been a school teacher for 16 years. Another still was cap-

tured in the home of a man who ha

been a school teacher for 15 years Many tea-kettle stills are being found throughout the State. A number of tiny stills de luxe of four and a half

pints capacity for home consumptli

have also been seized.

Baked Muskmelon

The police force of Grr is practically the only oi world that is not armed.

lerican people will

When you find that it is each half, ot

>ain is building the it e ships In the world, o tons bat ing been launched

placing the camera that the curb lines on which the people stood far hack of the "giant" were caught by the lens while the "giant'' was kept In perfect perspective. He was a "close-up" and they were "long-shot"—all the same scene, et the screen seems to show the throngs following the walking colossus t-n line with him. when in fact they were nearly one hundred *coi hack. It illustrates what a lens in the hands of a master of the camera’s mechanism and of optics and perspec ve can be made to do. Doug Fairbanks really scales high buildings and works other athletic manels for the camera Almost everything he is shown doing Is ccnnlne But he can't walk on ceilings, head downward as he is seen to do in his last play. When the Clouds Roll By That, of course, was a mechanical

interpolation

They built at his studio a set show i open at one side and roan axis like a squirrel As Douc walked over to th * side wall and placed his foot on it fo.- the first •p the camera, also set with special i*quipntent. so that It would revolve, likewise turned, and so on ■>s hr walked up one side, over the celling, and down the other sroe. To the turned earners he appeared always to be walking on the floor, her. 1 up. but in the picture registered on film, always vertical, the star had head out horizontally or downward, the case happened to be. The pursuers rushing Into the room were introduced by double exposure. Simple enough In the main •leraentr. but the an was to get the ir—hanlsir of the room and the camera adjusted such a mathematical nicety that the anifice would'! be given away at some point in the revolution . A somewhat similar method was used in filming thouake scene In Bryant Wash burn's play. "Why Smith Left Home." with Us heaving and rocking build-

ings.

one of Fairbauk's plays is a scene

showing a city being overwhelmed by flood. This was done by rending a sluice over a town of miniature buildings: and to overcome the Jerky effec' which would appear on the s -reen. the scene was “shot" with a fast lens

making ten feet of film a second remarkable photographic stunts

done in Griffith's spectacular {day. “Inmuskmelon and tolerance." This was effect.-d by Mr. Hall, then with Griffith, but now of the

Lasky Company. We read

In some of the long-shots showing vast -lumbers of Babylonians in the festive scenes in the palace, and others showing fighting with invaders from the towering walls, the soldiers were manikus operate,: mechanically. They carried shields and performed prodigious feat* of valor These toy figures.

» of 6.CKK of which there were no fewer then ently. 3000 in one scene, went through their

acting" wholly by means of a system of little elevators underneath the se. operated by a large co-ps of men under

Mr. Hall's direction.

One of these miniature mechanical marvels cost twenty-four thousand dollars to build. There was no fake about that! "Mr. Griffith almost laughed himself sick when he saw the thing operated," says Hall. But so amazing ly perfect was the compicated device that these manikins were shown spearing oach other, battling furiously with swords, falling in combat, and even hurling balls of fire from the parapet realistically that no eye has eve been skilled enough to get a suspicion of fake. No wonder Griffith laughed. The illusion was perfect by a bast of real, moving humans in the scenes —and this was another achievement of Hall plus Griffith—t*' make the false dovetail so perfectly with the real that an expert camera man could no;

tell one from t'other.

Revealing this does not detract from Griffith's wonderfu! work in “Intolcrence." In most of the big scenes he marshaled and directed vast numbers of people—so man:, that the salary list of "Intolerance" has never been even ,proached by any other picture. An amusing piece of faking was done under Hall's master-hand in a fairy* play. They asked him to conceive some way in which a dragon could be shown pursuing children. Hall got a young denizen of one of the Southern California alligator farms and dolled It up" with horns, claws, and other accouterments of a husky dragon. Then he had the children photographed running up steps to a refuge

in an enchanted tower.

Running the film back, he made second exposure showing the dragon crossing the foreground in all his horrific design crawling up the steps and finding himself baffled by the enchanted door-sill. Maybe we didn't have a time making that dragon act hia role.' said Hall. The skill of the thing con sisted in the mathematical accuracy with which the double exposure had to be done. The illusion was perfect. Another wizard of the camera—master of them all, in fact, in the making of fake thrill stuff as it is known in the argot of the studio—is Fred Jackman beau of the photographic staff for SennetL It is generally Sennett who conceives the situat'ons: it is Jackman

FASHION NOTES Interesting Items for the lair Sex

Fashion announced dolmans for spring. Of course, everyone bought dolmans. In less than three months •eryone was sorry. The dolmnn faded from the fashion picture. And then at about the point where you had yours ripped apart and made into sure enough coat, along comes the

dolman and cape decree again. The wraps of this year are different from those first ones

ways

look conservative, no matter . Bolivia cloth fashions mans, as do duvetyn and velour. Silks are very good for the summer wrap, and one sees knee-length and tapering ankle length wraps of heavy sat it) crepe de chine and shorter ones of

taffeta.

Elaborate Trimming*

The newest of the wraps are get-

ot last “ ambitious as the frocks In

-erta. mew ttat .Sere «re n,ore''Se w,,- o! WeiL.lsr El.SenU. emvarieties of tSe wrap, which is neither , broidery of metel and rllk Uire,d. , cape nor a eori. Thev an-taaclnai dark irideereht beria. 'rinpe. ,0v<e inn in their poarihlllUee. and the ver v j braid and taa.ele all help to embelllah nieeat thine tlat coold happen for j the finer model.. Here and Ihere ope aomner vre^ns. Man, are ,leeve- accordion pleaflne for at lout

less, haring slit; for the hands, while part of the crepe,

others do not even have silts, nor) Much originality is evinced in the fastening, but are meant to be held!collar treatment alone. Medical of closely about one. ^ on ! ' on,e ' “ d ** e TT

All Sort, of Material. full stand away collar stiffened with

nmterials are being used for buckram is a new note.

you will find that what like one. Or yi melon into thin slice*. <! er. and fiy like egg pla*

who puts them into eexecution. Says

the writer:

Jackman can show a man falling off he top of the Washington Monument, landing on his feet, and walking away with an unruffled cigar in his mouth. He's nice about refusing to give away the trick, of his trade, explaining that in his particular line it's especially desirable to keep the people guessing which Is real and which is fake. Make no mistake about this, said: “most of the thrill stuff oi aday* in our films is .ermine. Audiences have grown wise and di mand the real thing. Too many of them know when you are resorting tricks to try to pull the old simple stuff on them. What we do now Is the rarity, and it's g„t to be so good that they can’t detect it.” But Jackman admits that he does it it over then, now and then. He't » expert, in fact, that often othe* producers borrow him from Sennet for particularly difficult trick photograph' He told how he made a bony horse eat a bag of oa(s and grow fat before your eyes. He photographed a cadaverous old Dobbin earing the feed Then he faded the scene out with six turns of the crank. Then he substituted a horse swollen up with wind

colic.

Next he trrned the film back six turns and iad«d in. The optical effect is an animal gaining a hundredeight in a few seconds. In the same way he made a frightened darky turn ite. But it's not so simple as it sound*. The darcky had to retire i a white make-up. but before doing so another camera was trained m him and hi* * xact location we* iketcbed on the glass plate. If, in retaking the scene, the darky had been a small part of an inch out of the position he left, the flgur appear to Jump on the screen and the trick would be spotted. Whe darky came back he was located in this precise spot and in the precise attitude by the second camera's plate, and the "lae-disaolve,” a* It ts termed, otas completed. This trick explain: how Mary Bickford. In a recent play was shown shedding rags that wen rimultancously replaced by a princess'*

gown.

In om- Sennet comedy Jackman showed a girt skating Into a room mat: mg a complete loop-the-loop circle, and skating out. While the camera showed her looping, she was actually .- landing still in one spot. She skated to that spot, the camera was revolved, and a., it reeohed “eyan keel” the girt skated out -jf the scene. The revolving of the camera made it appear that she had tlescribed a full circle. Here's the way they make men in a comedy chase leap from roof to roof across a street, say sixty feet. They made a photograph of the real buildings. Then they take at the studio a moving picture of the actors Jumping

spot to another, say ten feet. All around and behind them are hune black velvet curtains so that nothing registers on the film but the flying

figures.

By superimposing that on the pic ture of the buildings, after getting far enough away with the camera to see that 'he perspective of the leap fits exactly on the cornices of the buildings, they show yon men doing the impossibK*. In justice to Fairbanks it should be said he doesn't use these tricks In Mary Plckford's “Pollyanna" two little Imps are seen to dance on a large cake This and kindred stunts (like fairy rising out of the bowl of a in's pipe) were first done by a French cinematographer named Paul, but Americans have developed the idea. It is carried out with mirrors. certain angle and far enough away to make them appear tiny on th, film, life-size imps dance before the mirror. With the aid of another mirthe reflection is caught by the camera at a point directly < cake, and so nicely can the matching bo done that you can see the feet of the imps touch the frosting of th;

cake.

Well fans, that will be about enougli of the forbidden fruit today. Run along to the thectre. and If you see some fine stunt on the stresn don't whisper to your seaunate that it's a faked affair.

Nine and a half chances in ten you will be wrong. The only rule for spotting a fake is this: If a scene looks very much as If it might have been tricked it is probably genuine: and if it seems so real that you couldn't enlertaln a suspicion about it—why possibly the studio wizard has put one

over on you.

The passenger rate by airplane between London and Paris Is $60, and a charge of 50 cents a pound is made for freight. The first presidents of the United Stales ended their term of service each in the sixty-sixth year of his ag< The island of Java is of about tfie same area as Ireland, but its population is six times greater.

20 to 25 Percent Saved G«t acquainted with our money-«avine. direct to .-onramer proposition. Crepe de CK-ne, Washable Satin, Taffeta Navy, Taffeta Black, Georgette Crepe- Messaline Black, Meaaaline Navy. Write No. ADELPHIA MFG. CO. 2306 S. 23rd Street, Philadelpnia. Pa.

S-S-STAMMERING

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Has a wonderful brilliancy. Guaranteed everlasting. Regular $5.00 valuefot oolr $1.25. No need to delay. Send atringor (taper measurement. Mail orders filled promptly. Parcel Post 10c extra.

CARE OF r

the’feet-

DAL3IULK. M D tnuC ' yL JSJJi*: <h*iInk. US’•!£ •• :k a sons, not M.ik.1 Mmn. muod

| fire pur tMth'G In danger {

FRECKLES, Now Is the Time to Get Rid of These Ugly Spot* There’s no longer the slightest "ffd °< feeling ashamed of your freckles, as Othine —double strength—is guaranteed to remov these homely spots . ... Simply get an ounce of Oth.ne-double strength- from your druggist, and appi; little of it night and miming and j should soon see that even the worst freck « have begun to disappear, while the ones have vanished entirely. It i* that more than one ounce is needed to con • pletely clear the skin and gain a beauii u . clear complexion. He sure to ask for the double strengt" Othine, as this is sold under guarantee » money back if it fails to remove neckl"^

SAVE? EYES

" Sight, $1

At last' We have reading glasaes Near and Far Sighted Petph

LOW*

You will have more eye comfort by the VES1 A system. We examine eyes and personally fit the glasses Register.-d optometrist in attendance OimCVLT casts » STtClALTY The VESTA CO.

613 Market Street PHILADELPHIA.

“Easy On” Cappft A HOUSEHOLD necessity Will Cap Any Site Bottle