Something to Think About Bt F.J. WJLUR
IMPRESSIONS T HE introduction of > frwh objMt Into a room, a aaw pletara, a raa* or a piece of fantfa will frag—itIj arouae a dormant mind as' adr It U mental The old, forgotten In tha pr—ire of the comer with Its soral shape or c It It happens to be eotsaly. so a the better, for It exerts a Uni power In We all knot products In a with bright The Inmates frequently In their work to adn the flower* and poke their ar among them to Inhale the fragrmr. An Invalid will experience a srr terest In 'fa In tha freshly cot choly thoughts vanish and tha m.'ad goes afield picturing green swarCs where the son la ahtnlng aad the blrda are tinging. Instead of tha doleful tick of tha dock, he hears the gurgling brooks, the tinkling bells of the herds In panttires and th leaves. Onder the Invalid's whole mentality formed. Hope Urea aaaw. Ha naa at last found tha "lost chord" and proceeds to taka op tha refrain and carry it through to the and. In mental life aspedally. change cf Impression Is nsceaasry. Those who think
they
the swsL Painter. Pack their bags, his to I work ont of doors. Toay rocn ^helr studios with mw lmpr« snd energy. Monotony dulls tha brighter frequent change fearpaar thsaa. An unvarying nrowd tails as i to slumber, but If tha noise aad _ ceases or changes la tharactai ■ awake and wonder what has ■p-ned. To do our heat wort ■ aiiouid often run away from U. ■ flonsldar not the time loot, but ■it as wall Invested, compound!*
Tver md loftier i h. ISM. b, McClan « Man a Natural Imitator. For Imitation la natural to roan i his infancy. differs from r animals particularly In this, that p Is Imitative, and segulros his rodlMents of knowledge In thU way; b» ahlen. the delight In It la universal.— ^rlstotle.
f . on but paused a while, aw by culttradna, but gteu
DM Uka tha laavca of tome now
■anyloMdrj You aurow a few ^ might broaden greafiy H ktndneaa shown by you;
It la oat our failures mat ruin am out our tsar aad tardiness la —blag *sw besfuutaga after failure. It lent the fact that you're down that
THE CHINA LADX TN TH* toy feop a baaattfal China *■ lady atood on the Shelf, la one •m she canted a bouquet of mnyaolored flower* end with the bead at
prettily trimmed eklrts ready to make
proud, but aba was, for new once dM she deign to glance below bar at
about this haughty lady's disdainful air but little French Doll bar pretty dark ayes flashed sa abe xJd to Toddy Bear and small Rocking Horse, "She
mw for I am as sura as suro eah be that fee was not made to France, and I was. I came from acreaa the aaa."
Horae was not Imported either. Rocking Hone began to nod his bead and rock fast shaking his wavy mane as If he heartily approved of all that French Doll had said. But Teddy Bear thought It beat after thinking a second, to be frank about himself, so be aaid. "I was not made In France, eitbW, and I think Backing Horse was made In this country aa well.” “Oh, but you are not proud and aa the China I-**y la," an-
swered French Doll "You do not Ml
oo tha ahatf aad look dot and I love you both." Teddy Bear felt very to
now that things were explained, so bv began to try to comfort little French Doll. "Don't you care If she does art haughty and proud." he aaid. “Brows •res srv prettier than blue. Don't you think so. Rocking Horse r For answer Socking Horse bagsa to rock furiously snd nod his heal up snd down. In fact be rocked es hard that ba hit the waO with tbv
^4 Health Economy Comfort b olend i» ihm npinl bj mt. Emm ii bqrfir Ou Imt ixj mi warn; ecBcmy U mabiB( oil ihtm nirw it w-thM the tost of sew; comfort that only comet is shoes that bars
bees wors.
VINCENT SANNINO 29 Frits Street SEA ISLE CITY, N. J.
thing on the sh« f over him. “Your ciothee are real too," said Teddy Bear, “and not china Uka bora I am sure if you triad you could make a bow every bit as graceful as bars Don't you think aha could. Rocking
Rocking Horae nodded vary fart aad began to rock and again his rocker* thumped tew wsU, -hang, bang," and then from her high place down tumbled China Indy right on the wooded back of Rocking Horse and crash went her arm full of flowvra. Little French DoU forgot her hard feelings towards the China Lady. "Oh. you poor dear," she aaid. “Does It hurt mnebr Rocking flares atood quite etui for he felt be waa the cause of (ha aeddt».. hociass China Lady fell on hli hard ' sek, but be did nrt know that he hr J caused bar to tumble from the fert . "eddy Bear looked at the broken arm with the pretty flowers. “It can be mended and madia at good as new," he said. “Don't you cry about It" "Oh, I shall not cry," aaid China Lady. “I hope the> do not pat me beck on that shelf after they mend my arm. I bad much rather be down here with sD you toys." "And to think I thought she was haughty and proud," said Little French DoU one day after Chins Lady had become good friends with aU the floor toys. "She Isn't s bit and she wanted to live down here with us all the time." “Which goes to show," said Teddy Bear, "that you never can tell what ladles are thinking about by the way they look or act; dent yor think ao. Rocking Horse 7“ Rocking Horse shook h’l mrne and wagged Ms bead back ar.d forth as If to answer that all ladUw were a pu» tie to him. (•teXc<
FLORENCE ITLOiuasoK. _ _ _ * can scarcely ba separated i
A UNE O' CHEER By John Kendrick Bangs
LIFE O NWARD, oi.ward speed the yesrs: With their weight of hopes snd fears: Trials lurking here sad there. Joys to esse the press of care: tight sad shsdow, sun snd rain, Alternating peace and pain— But beneath the stress and suite Sanaa of rich, pulasting Ufa
a find tha stir
watar Is naai _
mic*. prase the pulp a* dry as pootfble to extract all the liquid Add to the Juice a pint of sugar, the Juice if a lemon snd two orangsa. the grated rind of a whole orange and half tt a lemon. Freese until ftrn. Serve la cooe-shaped helping* with a soft custard poured around each cons Fricassee of Carrot*. Steam throe or four large eamta. Orate two medlum-ilxed onions and brown In a p*n with one-hr .f cupful <* butter, stirring them untl they art! of an even deep brown color. Out the carrots Into slices one-fourth Inch In thickness. Add the carrots to the pan snd cook until lightly browned Dredge the whole with two tsl'cspooofule of flour, one teaspoonful of salt a f> w dashes of pepper and a cupful r' rich stock; let the whole come to a bod and serve garnished with minced
It MSS. WsfraHv—fcspw ubk* ) Peputar Type of Dinner Wagon. Doing his tit toward reducing tb« dadgvry of housekeeping, s man Ur tag in Leeds, England, has fitted out a motor truck as a traveling kKcbaa sad from It dsllver* cooked Osh ao<f fneu poute ■hips ready for serving si •be •"'•I". Th# food Is cooked over a coal are m specially tuted pens.
that while Span w La Oava tha n name was only bestowed on dogs. A Spanish maiden martyred by the Moors brought Flora Into better repots It became Flore In France, where It was adopted as a romantic epithet, tnu from there It found its way to Scotland. In th* Gaelic It la ■palled Floria as th* Island heroine of the *46 wrote hereelf. Floreotla war a natural prooucL and named a feminine saint martyred In IHodetlan'a reign In Gaul. Tha prevalence of tha name Flor ice. In England, seem* to have been do* to ao many English girls being born in the Italian city of that name. Deqper and desrer honor has been given tc It by Florence Nightingale Many flctltional heroines have borne the name and its derivatives Blanche meaning white flower, la one of it* forms and waa bestowed on Sir TryaUn'a mother. Versions particularly romanUc. are found with Ariosto's two heroines Flordeeplna (thorn flower) and Flordfllal (Hear de lys). Florence or Flora, used by the Irish peasantry, become Flngha’. or Flncen. Florrie and Flossie and perhaps even Lora, are purely American diminu-
tives
The eamellan U Florence's tsltemanlc gem. Its warm, bright color la aalfl to dispel timidity and give courage, vUsilty aad animation. It Ukawisa bring* good lack to th* bearer of tha same. To dream of It. however. signifies Impending misfortune Flo recce's loeky day la Saturday, aad l to considered her lucky number.
to or will be successful on the stag* in playing dramatic or tragic parts note wbethei the finger* ere long crocked. That U a good sign. I fingers denote careful attention to details and If the hand is wide and open, with the finger* widely separated, freedom of thought and Independent action are Indicated. Ifee mount of Venus (ball of tha tbemb) should be well criss-crossed grilled, to denote Inspiration and aasumed passion. Next note whether the second phalanx of the thumb la long, to show Intellectual power. The mourn of Luna should be unusually long, reaching well up on the outside of the palm toward the line of the heart, to show great Imagination ai 1 eloquence, so essential to the actor of dramatic or tragic parts. Courage also Is shown by a strong mount of
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