5 »CC«MO«rT h ta poJJt*d *ci*rt» • * mart ra!B-

sorrd by the couturleree. •_ Hireling with the appr<r»*} i W women? Ion pink, and appee.e daytime and evening c frock.*, hata. hosier, anil aw eater suit*.

^T^/ys/yG j^QiGPOse:

evening attir* U Imperative aeaeons of the yaar. even though It may vary In 1U dqrree of formality. And the late vacationist, aasembllag her Wardrobe at a Urn* anticipation U the better part a ao far as fashion u

win give thanks for the tod oat In tho aplrit oo-ne. and they are

word In original treat-

nnU—the little sports up of a two-piece dree*

and a tailored felt hat. The eweater drees la proving very popuUr. end in this Instance the knitted jumiter -to trimmed with a woven fabrti which melt re the Ue-cafA. tum-ovar collar tie. The eklrtl widens 1U hem with side pleata making for the naceeeery fr-edom The hat. with IU folded crown and its nHghtly drooping brim M of felt, the brim bound and the hat Ulmtcvd with gr os grain ribbon. |

a solid color, tho

■ soft slik shirt, the mAnnish tie and i the gloves of black leather. The . boots are rtulation—tan or black. according to. the habit, the crop is bra'dad leather and she might have i warn spun with propriety. The ■ links In the sleeves of her tailored - shirt—of silk or English broadcloth l would be. ‘ let ua say. of crystal, i with sterling sliver backs. I > For contrast—the Informal Hd- ' tag kit made up of riding breeches

habit will be although the shops carry complete outhta are wholly correct as to fabric.

Oi Increasing Importance C wwrww * every todUetloi. that trimmings ot Ua. it L P*rha*a metre sUk wtli be a lets mar and early toll vagus l. one to never certsln of nsy-

—Just as. garefully tsUorvd as though It were a formal habit—at

weed and whm whh a Jacket of brown corduroy.

Internal, as well, the shirt opens at the collkr. and the IllUa hat ot

nch felt pulled down over her •• The sombrero feR hat could

have been a part of Use costume, bat never the more formal derby type. One to Inclined to feel that

dd n ttoos when dhow tobrtm are f lahng fhe gahrts mode, it Is not I t n^tr to say how important 1 ms-

irlm of .eh, velvet or straw. And there are moire Slipper* and metre bags—or tegs o* eaUn and

of tlto

last won

Simir-

ireatmsald «f tfcs nsw. They resemble the must preface to a book. Blllng repay pages In a story of

■ $ com*.

r modtjpart. pr«e-.—— -- — —— it bid* fair to be more than sally elegant. There are broed its of detail* even snore intricate than what we have enjoyed this passing season, and worthy of special mention, they Incline to a lower hem Una The tendency tf the entire mode to vhei might be termed two separate schools of design la specially noticeable In evening apparel. They radically different, appealing to .ionite typee and temp*re — and the one" eervee as a foil other. Not lofreqaantly both may be enjoyed by the same woman, which seems paradoxical In view of tho foot that their appeal ts to varied, and they serve to Inject variety Into a mode that sometimes becomes monotonous.

And If

minute classtoeatlou. a third typo appears, ’akum the form of Use fjimllter .rob* d* r jl* ~ period gown, a distinct depart from the other two. which may be roughly classed ns Use plain chiffon type and the briUlant and guttering frock. Tho two latter are characterised by straight, simple Ilnta. exquisite iu their feeling, but the period frock Is a bouffant af fair that falls to the ankle* No one of tho three modes 1« new. and It has teen the task of detfeners to find prelation of each Idea, and any trouble they may have had In doIng this Is smothered In the interesting array of modeU presented. Whatever your preference, you will have a variety from which to choose, and till* variety Include* color as well

trimming.

I There te n vogue for the allI black, frock, another for the dre*a I made up of a 'nlwed *Up veiled

wth black chiffon or black brocades bring att-tootlT* the letter, and bc:h are cl

with the simple ctUffon typo of frock. There It sruple opportunity

various fabrics appear. Batin. Georgette, crepe, taffeta, velvet, the metal cloths and the new rayon there to * somewhat sparing use of silk net. especially noticeable In the period models that ink* transparent hems to give the length necessary to the peculiar style. Hand-painted crepe satin and metal embroidered nett There to sophistication In every evening modal presented, hut there to more ot youth and lass of tho former characteristic In the chiffon i much graco of iron of HttU Into acquire this iricaries noth* designer. Floating panel*, flounce*, long wtops of chiffon that hang down tho back—called by the enlightening name of “mare's tails"—are prominently featured and the relit u symphony of For movement to je newest silboustta. no mattsr what sort of apparel to under consideration. Scarfs and scarf draperies. wing treatments, capes and fluttering ends are all a pari of the mode ot tho chiffon frock, and wide saahee, panel effect* and yok-« th* general The newest name for tb* kinetic silhouette, which represent* movement. Is syncopation—but name does as well ss another, w

ill to .

tneven hemline to a f nodela. dipping, some e ankles aad ruing t the brevity sons of short frocks have tomed ua Evening frocks fly In th* facs of tb* daytlm* is* to wear alaevaa. w the general characteristic of direct contrast to th* asm* moda KeckllnfS are t)-shaped, shallow as to depth in front, bat * There si. the waist line—a tort ot what-yon-wlll ruling, existing concerning

them.

Fall will continue th# fashion of the evening wrap of metal an rxqutelte affair In the shape of a square finished with a deep tee " of hoary ha- '-knotted fringe.

ming the fabric evening opal, and themselves provide the malarial tor - th* gorgeous fur wraps that « the utmost In outar apparel *

•w formal Th*

Imported, many of than France, and show either small patter-** or striking large

■nea book* of tb* t ahaer yoke dffort of th* tuMn. tpa approved uneven hemlin*. Md * lever use of fabric flow***, dtoe •hU-h fashion has a re liking The cap* wr*| the aatno Idea add to t» _____

Plerri: ruff.

In direct contrast w* have the •heath guwji of G-orgetto. 4rep«. sleeveless and showing a deep V-

‘ gold or silver. Evening wrap* s

In capo styles or t»

The mo»t costly fabrics—renbr. J-

.1 j * .1 velvets a

h boaded materiils—are c*ed. and 11 they boast linings of rich alaganco, ■ j wearing tore of lutary and magi nlflcemi*. Sable, mink, ermtn* and

*£* *>E

jag 1 ;" tmet

I wraps, whfctfc make use of email flat ««i(* am is pm* utM&mh