; Mhence the Newest Models — % BlousedSacks and PandsMomi.

KL

mm W>» cndoel rrmnr »«>% tSW « to , KU prMMt ifamrU » t*o4*B-7 «c . IncraftM Ot* stM of Um ftrmbole. «roppiar

by tb« na« ot t

nww •» th* floltnftB. It l» salt* totrinrtn* enoinrb to kaap It wftS forward la 1b. ItJB.UchL Tfcw* ar. many varlatiofta of It. and th.ro ta th* pan.l back, ovotva* ftjaa U. Th. ptalE circular form p^rtUU. bat th*r* an Int.natlp* oartatlon* from tt. At tlnwa U>* drenlar cap. reach., to th. rwy bottorn of

rtm monm A ad Toko taportaart Th* MoM hi '

ft that may aot ha. and an ■ carrtad out |a ootno aa .... On. ooat .roa haa a raw th. form of a jabot—«t fort

•ap*. Ita aa. ot tar la dhtwaat, , and th. fur Uatlf it worthy of at- , Untie a. ter It U mate, dyad to * . dm>.r ahad. of ynan than th. fabric, which la a naw ton. ka

aoatly to bay and npanatr. to k.cp fa ooadltlon, unit*, on. 1* aur. - tiny will waah ot. at l^at. itoaa. Thna U new., then, ii.woma mrw. for tin woman who Ifaa. to do thins* for hemelf. In a new fabric paint that ta .qjieMed * a *p*cuny dKtsn.d con. ■uno In th. Mtn. way a cak. I* doooratad with an Iclnj device. It la applied by pattern, th. perorated d.Wan available where the ‘ c — may work

_ . . wlbOlty for any bat .the formal aX'.emocn affaire i And beauty In the

W -Atoi are aold, ai opt her own color Khama Bru.be. ailtabl. for th. work of palntlns fabric.—for boua.hold d.coraUon or on.', apparel—and all th. !n-

’ ■■ w paraphernalia of thl. docoratlv. art ar. com paraiswtpwnt’rt. The liquid, are

aom.Ume. duted with a m.tal powder after they ar. applied, to-

‘ sorscou. metallic effecta

art of dyatas I

It a coat !« liven 1 d-'ew.

i dteoetded .1 the compral

» MOaoe. th.ii th. vary erias* at* worthy of at-. tM ooMartatlt* mode la

r Of the knocks not have to b.

U taatarod in

nter model. the latter

, Par* aa wan M an Urartad p i Join. th. walat. On. ta c

•neogh 10 l

and dram a Th. T*. n found tn many

trom Iba doth; as*.

_ that run deep In hack.

— ——< .->»

fur to fabric. SIN

•tralrht of Una. the collar haa a . . -i... -mtw.t. it ^ n “ "

tor collar, but a to Ilka th. Idea

th. fabric, for ooatract. There are

! patch pocket, of

U MUf .BOUSh wboadVf IM «)ol.

chaff of th. radical. It cm .tudlm

wh.li.r th. model I* doth, fur-1 irilSillT Ot fur, eloth-trtmmml.

narrow. The aaam dawn I

dl. of th. back la rathw anuaual. Slvla* a baeoaUas line r-- u —

dropr^d ahoulder daaorvaa .ration, A deep caff doa.

way* mean a -ar*. so tier, aa thla *

fabric—very eupple, vary Ushtweight, and vary wnna—ha. ■* . p.IhlMtU. ta th. wardrobe. While

let. afUrnoon modda, tc hair. th. 1 collar, ualny fabric quit, ac | cvou.ly a* fur.

individual. It i

round, utility eopt. tl

Many of them

Whaf a in a Name 1

the hu. of the rtqr; crayon . bit d.rhir than Cop.naampt*. usUm ih.'has.n: Brituny. a medium llfht lure Of a fabric b.d blue an i gracklehmd. darkM th.a Coper .ut Uyhler than navy. Wn,tn*n; u a medium dark biu.; «>-al I* a bright bio. a»4 I. aom.c wbtM a nam. way umaa eallad kins', blu.; lupin. U tn ahad*. thft. may be a Ugfcur blu. wiih Jimt a Ung. of l« differ*oe. In too. be- Iliac, ana old blu. U . llff* ,•**/. cfaota of ••v.rkl d.ya Appl. and almond grmn. aa W.U a fufa, «*"•*» duanwl a* wn.rald rre*n explain U».mi by t^» m*nr ot th. MiVM. hut Lanvin groan gl*w» u. - 1 - - aaaww*— wt»s no cioe and ir.Mt b. dmcribw! aa a —“•om.thln* fa . pethapa. or fa n.lhew ^faS w. know —„ .Itnood moana a tea , on* of th* llghier ton*. P“-ir-ilos. and oatom! !d*k, who. light, hu » Wulah oaaii ugfaaf mam of th. TonM t» dally dark--on. think, of whO. apfUfa of th. | .hady cooler,, golf U amd dark ■am dMerfba lb* color—m and buxtod. grmn. whll. ahowlns rlnnamoa ar mufaardjdMKh of color pom^mm inf era aai»*m*ly far j Oltv* I. dull with a brcwnlah^ca*t. *c a dal r atady th. qaaetlaa i cherry and cr.nb^nr need no . T WUhdV- dwlrfagSrtMmb-tfau. ^w ar. w. to

know that Indian la n deep, Hob 1 with a parptiah tiny., Oaatillan bright but not ta th. way of

a color. Coral ta obvious eo ta lipstick rod—wa hare had both eo long that w. rocot tfeem now. But Marl. Antota.tt* —rose color with a grayish cast. Malntenoa. light pink, and mayflower, a gmytah pink, ar* new. Be*T.r I* brown with a grayish ting, and aobeUak to a gray tab tin, heat lor ta a mixture with aotn. oa. dtad. predominating, and black prince ta an tnt.rmUag shad, between dark purple aad dark wine, n.ur d. Ita to a deep oachld and wild orebld ta allghUy deeper than true orchid, puchpfa. ta the color ot pin. needle dark, leaf gr.wi, and scarab grmn and jad. ar* much th. mm Raccoon ta mixed gray, raw atom a bright hrowntah yellow, retain deep brown that ta almost btau and .unray a bright yellow, aa of

“utility", for It ta quite eertact for any but th. Maliy formal daytlm. oooaaloa. fleams, fe.hionlng th. watat et th. coat M*ln play an Important part In th* gaMral Uou rf a modal. Tb. idea ta different, hut it ta not rmdloal. aad thto model would bo quit# as correct a pour tbara her. been .wany ooaia fa Ufa »*rn. spirit through winter* past For early fall wear, and later for th. warm day* that always com., thto ta an unusually good garment In peering—there u juat a hint of an ecaeable fa th. color ochi of hat aad aoarf.

DID YOV KNOW—

I dW HAT .ruling frocks ar* all i J s-drip with fringe. T Two very l wfaapeolx! mod.U, creation* of famotaa Parisian couturier**, ar. of chiffon and velvet rupee lively. Tb. former, fa peach, wear, silk Um lattu, fa orchid, haa

earn th* vary newast fancy for Ufa .v.r-popular opera pump—1* •t-WMv. iatlnT It may h* i fa all black or any »ohd color, or U may tak. on two .bade, ot a aolbr or two harmonising color*. Befa of all It proves a well wearing fabric. ffBAT a mart London houm. faaebus for it* or'cfaaUona, haa • a elersr mln.Mur. of a illng kit bag? It to an adorable accmsory, con-anlent handsix* and of Irreproachable *tyle and workmanship. It la of morocco toailfar and comm fa groon. black or win* rod. THAT th.r*'. a new sport* en•erable. very gay and vary am art. appearing In .marl gathering.T It to developed fa soft wool crep. and a tunic o. Jersey over Chsn.l _ or green. It ta really a Cardigan jacket ensemble and adopt* th. lapel-lam lln*. THAT you may now procure a thrm-pleo. traveling eneembl. constotlug of pong*, rob. and pajamas? It Is cool, with a silken touch, It Uunflers beautifully. It folds Into nsxt to nothing. And It's , very smart fa Us neutral color bands ot cherry red. French

/%T Z^/PGiT/Zx/ 7~ TyjE:

maul table tabrtp, ( ant. bear all the ear-mark, of a new mlllfamy mode, but it* use ta. admittedly. tor the present. Definite fashion* am shaping, and It ta only a matter of a few weeks when the winter mod. will be *«tabltah.d and a wholly new mod. will be fa preparation. Madame la looking for a smart little—or big—hat to rejuvenate her dying wardrobe. Elegance dominate, th. general od. to an ririebt unrivaled since i. day* before the war. And rince variety haa become: an established fact, the result ta eminently aettafaetory. It mean, that there ta a width of choice ta model, suitable for .vary purpose, tuid ta many tariancm th. model chosen permit, of variety In th., way It ta worn. For many of th. crowns are pliable and crtuhabl., and brims—especially fa the smaller hats, ar* adjustable. 1. means that th. same bat be mad. to look entirely dlff.rent by Ufa almpta expedient of adding or taking away a fold or

valuable because they are different, and w. have months of lets fall and winter when velvet and felt »«*m more ta keeping with th*

|ERHSPS the new bit

wax responsible for th* re-eo-try of belts Into fashion, per-

show belled treatments, and oac. again pm aooeaaory department ta showing a wide selection of Uuxn made up Of various type* and color* of leather. -They vary in width, some being very narrow and others being at least thro* inch** wide, bat th* former will be more generally featured ■usd* ta always a satisfactory

Enter — the Belt

faathar when worked Into belt* and fakes a variety of trimmings— perforation*. Inserts or applique*. Th* buckle ta usually simple end tailored—there ta little of oraat*neae about this detail. On many frock* ribbon is used and when feasible, th* belt 1* of fabric, though not always of ths fame color a* th* frock It trims. Occasionally, appliques ar* used to simulate a b*H, but In whatever (arm it may appear, It prove, th. tendency to mark definitely th* poaltfaa ot the waistline.

Drape. And Folds; In Any And Every Direction, A Featured

Fashion

wrinkle from Ufa crown and tilting th. brim up an one aid* and down on the other, or up all th* way rouno. Thu softness extend, to the targe hat which g-ow. away from th* tailored theme in maqy Instance*. taking oa th. eoftnen of the type we call the "garden" hat. Th. purpoM to becomingneu. th* rmult a pertain plcturvsquvnras. There la a very targe t jirlfar of model, fa satin—tu. old stand-by fa mld-faa.cn millinery fabrics—J and silk; velvet and valour, ar* represanl.d, and felt ta everyahfav, as U ta at .very swaon of the year. The aUk aad satia bffsrfag* ere

Hio Itcturc Hat, Of Velvet, Silk Or Felt, Instate On A Plane In

The Mode

there must be many shades of many colors from which to choose, and. Inevitably, a wide choice fa black ha la. There Menu to bo more tones ot brown, blu* and green than any other color, but gray*—especially taupe-—are rep-rc-.nted. aad the purplea with rvdatah tl-its end the wine redj ar. seen. When fa doubt, and for general wear, black la not only a wise, but an dltra-smart choice. , If you have a preference, as to shape, you are mart than likely to find many interpretation* of that preference. All through th. lata summer the beret crown shadowed the millinery mode, appearing, done fa velv.t, on ev.n th. moat fragll. straws. If you found that th. line, of the beret were specially good on you. then It srlll be good new. to hear that It Is still of th* mode. Our old friend, the clocha. Is regslnlng some of Us prsstlge. and the cloche brim appeal, fa some of the moat exclusive French In fact, th* cloche brim U th* lead.r In every presentation of email hats, although there many rolled brim.. If you prefer that line. Thto ta really good Basra, for more people were becomingly hatted, wh.n the cloche was qaoaa, than have bee.: since. 8cm. adaptation of It seems to tfacom. mere face* than any other shape, and with th. entrance of variety Into th. mod. we may hope, at least, for th. perman.oc* of Its Influence on fashions fa hats. Th. turban ta a somewhat trying shap. because it eliminate* eTsn the suggestion of a brim, and U not. therefore, generally becoming. But for the woman with a profile that will stand U. th.r. I* nothing smarter. Juat. now. than the high •ban—it ta »*H to make known ai the out*.; th. fact tha- hats are nigh—crown# When the— ta a! brim, and th* hat Itself when theta I

ta not. Ton srtU r the turban ta fa a. which make* hj rui crat of th* mod a Then theta ta tha shap. that 1* not a g.i because it Is trying • hats of this typ* tl tendency toward th. Russian, aapodally 1 crown ta extra hlg impossible to rr.aka Hat ot th. many difl variety to th. crus bats, and then Ut* flat-topped crown sailor, thla also, I famous designers, many of th* i than a trace Influence. If wa ] for originations, U turn, must took to for inspiration, and whether it be th* 2 that provides 1 readily seen Us deal of manlpulatloa \ there will be a rt trimming. But w. there ta must b* el ly placed. Hats, of f typ* make u

unique treatments c belting ribbon and v growing dally fa pop

vet ribbon and a t 'roppod from th* aid Tu. Util* silk hat aueh to recommend Itself ta decorsUra ] take unkindly fa the a !>fagi that trim it—the are of feltl Tb* cron the flair of Ufa new t nl potations, Ufa folds

finds two batter brim la frankly th* hat Itself fa

approved fo» h

paratlvsty light of wetgf

W typical. It Is p vet and depends npon iu line* for crown is soft, and wearer's head, ut comparatively nar» sweeping!?- wide It

a hint of the A tailored band

vet aad a simple i

only trimming*.

and small, »uh cruahaiii.. crown* a brfaw. In aoigU

, rr sru,“

poge 1