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cape Ki? oomrr? ttko, bcday. octobee i, jam

Page SeTeafeeP-

WEEKLY FASHION PAGE

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COUTURE

|» A &rsp&tMr,

/v's/taxo*"-

It la quite I rrjuvmeta a la frock with for, bo

*,■ ’ # V- 1

e As aMedium, Fashion i Luxury -t The Eve-' : is the Result

I a»e ecerta rtaa poei'.bla.

“SS:

oral fabric Uadtaer throocboot tha lUre too. My that i and paaela and drmprrtaa t In Unaa foil fabrics, of cour**. It la la eranlnr draeaao Uat lh* ' sllhoustia has tha xraetaet fraadom. for It can include i.oraiUai that

> tha straight Una

^

thry're doing rare Urtoga with »! llttla animal thase day* Whan yon atop to realise *** prices od fur. sold by th. .yardj ran*» from a dollar or two »•' tha bohdradx, you will oudeisiasg fashion's andoraamwt of fuaa as rartsty. if you aro using a fur that will gracs a formal ooahslon, then there U armlna and the molra-aurfacad broadtail dPOf** fora are of tha type of antelope and leopard, and there a colon of fun of tha car* Molt, aomlrral. Hudson eaal b and nutria an at your d tha foaaa. Japane krimmar and monkey, • an various fun. with funey namagg . wan. originally, AbMt eg a humbler pelt. ’

Tha Tem-o-shantar rogue, and lx to be hi versions that school

debutante may

veloped In velvet, fait velvet and groagraln. —

felt, and all felt.

*>•**»> «•* ' rS&r*.

713 s^yr/r2f~ ^^CCjfSsSO/?/^

mss.'

fl

» skill In tn--a*. One ■»» ihtottesiion »f

iona stlhouettet a r _ . . r aa ptlng hemltne. Uua. «» «»t « son- the MreeUdre; peaele, tiers, cnpei

h. though they may augsart qaalbUttles. can realty do tittle i than suggest. In a ganeral way ona may be sun of short *lrts —elihoogh ths period dreee Inclluee to length: a deep deeolletage. and aleereleas models, although as occasional Bchu lends to the robe da style e suggestion of e sleeve. Then is always tha exception that

lb seilcOo.*' a frock that la suitable I and daadag.

pictured In a

_ taeoe of perl ad 1h<n-ndr la Ms plain Utile bodice ahd IU widened hemlloa era! eCect Is youthful 1 simple, with nothing te simplicity ‘ even «ho^ than la trimming. Dellrats trncorias of beads form a background for dowers of tha fabric, the hemline Is uneven—a detail of much ImpdrtTogas For Ostrich

flirting With

ostrich far many aaaaona Just when we ere surest that It wtU

[err,,

have a genuine rogue. It disappears entirely; then, when we have quite forgotten It. It appean again It »• staging a somewhat spectacular return, this season, not only la the Intriguing resurrvftlon of the feather boa end the Pierrot ruS. bat In trimming details for evening frocks. It is a most graceful trimming. and Is specially beeullful la \be ombre shadings, bei it mast he

handled ertlsueeliy

The model Ulus* re ted la typical of the poemUlutes of ostrich aa a trimming. The bodice, which you ertll sots dips up Is frost, chooses beads for tta trimming, but the

while the nlmpUcitg fd ehlkce, unadorned. is expresued la the akirttbe two linked together by the of brilllenls to which the tela are attached. Note , the shoulder flqerer, and the Intricate ripplcs'of the skirt. How are those ripples achieved—who shall

say?

The Range Of The PWriod Frock Happy ths • lerneas permits her to vary her evening attire with esaaa adaptation of ths period frock, that fashion dr be ths “robe do style." It poaeeasea plctureequtnese end e certain quaint ataarin that no other style approximates, and there are so jnsny types of M that poSslMIlty for pracOeally ev . elendsr enough to wear It But Ha bouttart lines make It a dUBeult model for the wrnsaa with teadeacle toward platapflaas. for her it should be forbidden. Taffeta, because of Its firmness. Is well-liked for period dresses . It la not realty stUT^as taffetas used to be. but It holds a line where crepe would not There la aa old-world charm in the modal With e heightened waist Una r ijCa —■—

8 ths mods groWs elaborate, colorftfl Intricate accessories

n Importance. They

certainly contribute much. If they are properly chosen, and It lies wlthlnJhMr power to completely ruin effects, It thay ssi carelessly assembled. ' It Is not too much to say. than, that they wljl cither make or mer a coetdme. It must be remembered that ths mods Is quite as versatile as It is elegant, which widens ths choice and Increases ths possibilities of wrong

selections.

In ths evening moge especially inch mCr^VPpmM Wpb*i the tume detail choeen after (he frock has bean Bedded upon, and U U Imperative that thee* details be properly worn aa well as properly chosen. It not tnfirequenUy happens that ths evening frock la a mere wisp of a thing, and when a true, the very brevity of the dress makes ths Mttls things of the

collar that auggsett n ruff. Note ths lias of ths she •Jer that makes just a suggest n. j of a steers with taro Utils ruffles of net. There are flounces of ths nst, ns well and the finish U supplied by appliques of tbs taffeta act on with embroidery

stitch ea

Taffeta and net are again the materials In a modal quite different t. although belonging t

the bolero la A* ffemral mode, and one sees It frequently ■» evening mod* Is. It may appear ll back, at one side, or le frost— e much used end 1

sme group. The skirt reminds of e hugs flower, and the simple little bodice is glorlfled with a Itehu of delicate bi*ek lace, this flrhu forming • gqmrilon of slaevsa Ths huge bow of taffeta ribbon lets Its ends trail ths floor, asd since It la blech. It carries out tbs color effort of ths model All black, and black and whits are

» It falls in irregularly pie-sing Usea. a||u 1 This method of applying the oetrich popuUT kt the moment . Is a welcome verlatloS from the ^ ^ Va(Bra Tetasl

U suu a detail model—providing, only trimming.

^be bloure, growing dally more popular, is a feature cf some of the smartest evening frocks, and there are some clever tiered skirts, the edges of the tiers embroidered in beads. There la. apparently, no

limit set ou -the uers of capes, ulmrord

and fluttering ends, end! flr —

itlllty

a designer pays

S6« EVENING WRAP

expansive furs—they are simply I choice—a single group contained e ■ umpMous end sumptuous!) simple [ cost of silver brocade lined with In affect. Ermine, that might be I white velvete the brocade further

nothing la omitted that adds to the I so one must clioo* luxurious beauty of the decorstUe 'shawl eerordlnglr

models. Whet fabrics, tines end ; color do not accomplish, trlmm'.nga i

nered la surer or gold. The shawls , made of crepe or silk are In a solid color and may be hand-painted j with oua Of ths new textile paints ( pattern Is easily acquired. The , Jer of ouch a stewl will be of another color from the shawl Itself , and harmonise with the decoration. ^ Making these shawls has become a lad. and In some of the stores they are giving lessons In the work, and the making Is proving rather simple. Another Idea la a combination of * cap* and a ecarf known a> the •Voseack." and It Is a thing of beautiful colors and dripping fringe*. This. too. from Paris, as Is the n.1 .buwl-scarf that is baud-crocheted silk net

colorful applique , through, j When A

ir of her <

Did You Know —

4 wrflp for that

J| grin not hi with ths

01

mistaken for whits velvet, broad-1 tm t>*nuhed with embroderles

T. Utsl reminds ons of black i ln and rhinestones snd a ■ — rf * w g |« U | ire silk, aad coaU of mink and of w j,its fox fur. end a tiered j f*»hion yesre.

I*>R1* AGAIN!

K might aa well edmll ' debt to Peris, fur w- >,wc

has errrued lo

» OS 1 Is pert* le Mason* p* • eutaumh*ri m type

fcf* , *' 1 * »*Mlal mo ■t luxury, tor It bepkaacr M»u e> embroidery mures, there h fWholly of the r

But the average wardrobe U oteat with a fur seal of the mors

serviceable sort, and etenlng r#'

- qulremed- are well fl!!< l coat ef fabric. Teu esn l fabric Cost quits as lavish I j

i,.be? Guv

combine-' blark i mstsied in the « ' bll'-k reptilian lr.i 11* mow Imporl.m

ten. h THAT a n-W lltlle And'nurse nt lh« womat >* fe-iia^ge the form of * ,

It la reshmoe.1

i really

yesre. A

cape of metai cloth In Iridescent item must be add tint*, lined with velvet and col- de-Nutt" of lh» Is red in cblnchllla. A coal of coral woman—our eten 1Z,! velvet vrea beaded ell ever In gold ; It la something in, n I and lined with gold bad uoml naun I miller fringed affu a* you , —in alter net lag stripe. | elate with Moein

- no tumt A cap. of blech velvet had a wrap th.t protect., gta.el..,

' bln used back aad was dined wttbUlnee. and H •'“‘I'b t«. n

te wbal II J.,. .b.-. velvet, the Whole garment [you erw good with a needle. .nhierman wraps *?/ .* J r> ,! bordered w.th While U». Blue and It take, for It. febru -i-p. e-lk mea Isvwy ‘ ^ , . ul4 brocade loss ea tbe Itnee of e ! or metallic hro. *de and i. THAT Fert' VMI »-«• “^1 guiman wrap, end wee Heed with ' gorgeeu. when .,f Ih. Utter fabrie' whet eh. rah cape*. t-Uereg ta ric* *“" .**„ the eama shade of blue.he bUek and gold, -r st-.n end fe.thw.? A

eepwdype wrops with ( hbUa*y dyed to allrer—let u. esy- botderod wtih ahawl has apule rmbtoidered wl

loeeiffette la the erter. aad rer-! Ilm-lHhg frond.

beautiful The idea la carried out

at tills defl- i in black and white or In the »Ii,m Witril- : Paradise -olocltigs—wllh ombre : te'.y re- , THAT there’s s new sports cost n.id' w-th 0 f suede leethsr much In the |lmeThe latter . Uaht at ths present moment? Ill , ever. j pan a tstlored capeskto collar thst | ttnc for the f"» snugly when cloeed. matched »l,n smokes hy knitted cuffs and border, and - j

sr-ttr ('his is Ot Interest -11 cl, ‘ 'j upper fastening. »> do th* |

« ver or •> i

THAT fsahlon expert

toilette much larger In proportion. From the Ur^eeee of the manufacture re you have only lection 1s nc With every the acsLrf Increases. When It Is t a part of the frock. It Is a lUculously correct accessory, and __jme never out of place with any costume. It belongs. In ths daytime. with sports, tailored, and formal afternoon attire, and dresses high-necked gown nr the low. And many women welcome the seeming protection of the j. lace. Georgette the evening gown Is sleeveless end extremely decollete. something of a flal hand-painted scarfs, dons In lovely pastel colorings on sheer fabric" Or—for effect—colors may l vivid, lending a much-needed not the otherwise neutral-toned cot me. A .very new. very clevt scarf for svenlng wear la mads of two squares of chiffon In two tons* is color, tha squares attached at one corner and falling In a semblance of wing sleeves over shoulders and arms. Chiffon .res are very much In evidence. for they may be worn In many

ways.

Tulle Is a material much approved by smart women for the evening scarf. It Is worn, frequently. wrapped around the arma, and fflvos a semblance, at least, of protection. Some shops make these scarfs to order. Jn the color and length desired, thus assuring becomlngnssa. The tulle mat plain of color, or printed ln<hnrtnonlxlng tones. The scarf. - course, leads naturally to grown-up sister In th# mode—the

shawl.

Every wardrobe contains at least IS shawl these days I; may be your conception ot an evening », or you may wear It for Its charm, regardless, but a shawl you will oavs. and wear. It may I,* Spanish or Italian or Oriental in IU origin, but It Is pure American In IU application, for no matter what ths source of our fashion*, we wear them our own way—to *how our Independence and originality. Ws are more or less familiar with the squares of embroidery on light or dark crepe de chine backgrounds, bordered with

deep silk fringe-.

But some find the shawl of solid color, quits unadorned except for lu beautiful hand made fringe, appealing. and others And beauty in j shawls thst are delicately hand- * tainted. And there are shawls that apprcxlmats works of art, com- | hlnlng hand-painting wllh handI embroidery In wonderful patterns and colorings. With the Introduction of feathers Into the evening mode, the (tend-painted shawl wllh inserts of ostrich fronds makes Us appearance—a very lovely fashion.

Costume Jewelry t

problem—whet pieces.

what shapes snd your Idea to keep to

etmpllclty in your costuming, w which event you will complement your frock of chiffon, unadorned. Wlt6 « simple necklace of pearls But’ you will b* quite a different person when you don your eequlnuddrd evening row*, for U will ill for glltterins lewelry lo eupplemert «ts brilliance. And fnshlon prodigal In her offerings te yen. There is e • rtlab.s erase for

dies*

te th*

much te the wsaint with e slender neck. NothMff e effectively emphasises the gxnoe -4 that slendernaaa. and fashion !a hff no means niggardly In the *-pr**-, slon of this bit of adornment. ■ Cot crystal artiflelal pearls aad An Ir-.eeltable rhinestone* are' “

■acelett take .on width, a very offering a piece so wide tha* ,*«rubles a.cuff. There la nw diminution In the popularity ef slare link bracelets, but 'here W change In the else of th* links which are growing larger, and « many cases ths braealet la made ot links that are nearly as larsff 1 _ ghos buckles. There U e vogue fc- pearls In combination with cuff stones, and ona may find odors to harmonise with either her evening frock or her formal afternoon *°The vogue far sintering Jewe|a^ U net confine-.- to evening, by eng aa. H*t ornaments an*- brooches

approval, and. needles to say. tfcsr get It. There are some beeutlfe* necklaces of Imitation pearls ta combination with rings or links of composition that resemble Jade or coral and the familiar rope or string of pearls takes on new forms. There a*e three-strand collarettes of lergs pearls, snd both pearls snd rhinestones make necklaces that end lb bow-knot orne-

ffitnta-

nlwmye a

1 .«f (he ee> And l

sf the breadth eflt

i Uired*. »rt t*> white metal, ell l> j rutih-rins the Idee of ertnttilrHi

Bray hair, end *we of th* ease**-1 adornment. Tl,-re are tong neel Hon. ere I'hanel led end I’rline of lure*, .horl necklaces, choker* and Wales bluer ■fhe idea Is—the ins dog collars, aid* and nan lur* Hg„i* looks eUttirtiir in color* 1 Mareteia. end earrings, long « ,r j ..

Inied silk , thst be*'* * n*h depth of ton-, ehort. And Ihere ere rhlneeton* T*-\«*H* *

which both the** n*w shades. studded h**ls snd streps for the AppMqnm poe.es*. > lovely evening lootwear that Is. ot I dance