cm KIT COOKTT TIKES, FK2BAT, OCTOBE1 U, UK

WEEKLY FASHION PAGE

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thor* I* rmrMjr. • Ttao bov, tartgtat toaoo ■ doood olorwtr into trlsxi Moor of than voaM

fnl, Md oc-rttr, of ynor thaw oKoaiot dotao In natal

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CWtoklows of toa laoaa from which r*> oxw »fe*x- **y»»

Branlr* oalU forth th* novlr pprorad frond* of oatrlci*ounoaa; In t«nali; a* a nodi of Mabroldarr. Ota* mar pnrchaa* Ittaa and trimming* kin to thta form of daoontlo* tar tha r»rd; thor* or* talk floral trlmmln** In baakot tatad taonflaat d«ta>n» Ton Fronthi voedarfBl Sowar crna. nan to and rhtnwtona mo Ufa And for gas oral no* than an th* for htaodlnca that tan to ta* h*d In d*tanbla trimmUid width*. aoanUty tar bo moan* htarmind «MtalUr- Th* maw ttaclwdm bath thtataardr and

dolman alaar* mar b* naod In th* ' formal frock tor f**U*» oocoslona. E Block *o T*rr popular ]u*t now 1 with Moth or, may har* a place In • th* wtardrob* of Daughter, collega* > bootaA It will b* Tery gouthful In • It* cut and It will b* eUbcratad > with ta daconttn bit of color, or It - mar b* girdled with velvet and i wear collar and cuff* of fln* *m- • bolder!** and lac* In btaga. Bepv 1 dallr lovely for rooth are two of 1 th* n*w color*—1 angle groan ’ Chanel rod, and nary I* both amort

and practical.

evening occa*lon* demand ere- . ninr drees, and chiffon, tulle. 1 Oeorgott* and trtaetn answer the . de.-ioni, materia Ur spooking RufI Be* and frill* become the alenderxeee of rooth. and there 1* beauty n the moor adaptation* of th* rob* !• style, so abuasd by molarity. ■ What 1c cellar than th* modern girl in the old-Urn* talk with It* nooo-

with long soda on on* ah der: there's a flower, and loach** and edging of metal lace. Demon, get lovely, loot ill

DID YOU KNOW • • HAT if you an very, very ami you will be wearing a r-lmpl* 1 linen handkerchief with a work monogram, hand-ombrotd In one earnerT And you wUl har* thta handkerchief ordered tor r*a dinpt <yg jrsrt* jump sj» ***4^

lass with another

rial; and neweet of all. It • swagger envelope* for ofler-

g appliques of gold

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■ fabrlca And why dhould they iJnotT Phil prasBDtatlons of th* mod* reveal gargedns moterial* la which both colors and weave* iw, and there 1* opulence , In th* favored texture*. It I* hard o any lust what ha* been the ' eplratlon of these fabric*, bat In a s that la betad* the point ' It ta eufflelent far tu that, they ‘ terprot the tamplleity, or the-luxury 1 an the ease may be. of tha mode

of th* boar. .

In general, fabric* on lusts rich, supple. Each length ta a i terplece In ttselt and some of offerings come from looms that tmons. Of colors, more anon, bat It ta *roagb< for th* t _ •at, to say that both material* and provld* the excuse for fashalr for two-tahrlc and 'twocolor combinations. And then are many opportunities offered for effective comblnatlocs that variety la assured. And variety lx th* most desirable characteristic In all gen-

eral fashion.

In a way th* crop**, an.ins silks have shadowed Wool, the | and winter*, just aa they have shadowed cotton through the summer*. Bnt attention la again in woolen* because of th* beauty of the Jersey*, flannel*, rep*, kasha cloth*, wool crepe# and novelty wools 'hat are being offered. Cropalla and Jersey or* greatly In demard for ' H'-'Ct* i a*ha cloths are used hr the moat prominent of th* Parisian

th* wool situation. Mention mum be made *f th* new broadcloth, for It 1* a high light among th# now fabrlca. end iry soft and aupple 1* Us weave tnat it sometimes resembles a chiffon velvet—which leads us, logicalo th* moat fashionable fabric of all. There ta no gainsaying th* fact that velvet loads tha a materially speeking. Nothing takes color quit* like this beautiful i and th* texture of this eaaaon’. feting* 1* wonderfully fln* and aupple. It ta more than usually adaptable to th* mod*. Le**t of all. In th* loveUnes* of velvet ta th* usual chiffon dree* typo although were It not subjected > compartaon U would be cosily queen of fabrlca Thar* are th* lovely troche velvets and metallic •t trochee; velvet Georgette troches; and many covert is*. ■mg the beauty of the chiffon velvet*, the two-piece suit pictured .Uasa t flowered pattern, and mLined wltta two tones of a

Or.- .■m W X

quit* m much «b* seder m ewtafem. - -p—-tit th* Mflg*B|png color or Qm ahod* at It; affUB

lore eosmi no end to the list of crop** and talk* from which choooe her favorite shade

tha Leopard May No* rtiange ota. Bat It Tranafem Thta present, and crop* Georgette, and of lot* chiffon has appeared In tha rooter of crepe*. There ta no falloff in th* popularity of r crepes for *eml-formal and formal attire. Moire talk ta popular and there are cone exquisite pattern* of It. Satin ta never really absent 1 th* list, and ta valuable in th* Autumn mod*. Lovely In their place, th* metallic fabric* have attained a potation of promlni and one may choose from «xq* letata In patterns of groat b* id rare colorings. There are a lOtlfa, both large and small, many of the niece* or* romlnli of rich, mediaeval fabric* —. On* promptly chazael* x a* beautiful; on* may add. they are amort. On* applies th* term “dtan»ti___ colors, thta fall, and It ta by nu •ana aa far-fetched a* 'll i

. or* lta»»i«—It tad tor aaamtm mm

m*.t*rtata are a

atrmSB idea of It maw from th* r navy — tar e*reet -taBd I wmr. t» th* ratr wrnm

a* ■•eggplant" ani "eland rod" Hated, ffall colors may bo gonmlly listed aa win*, perple, groeo. blue.

; and there are the fa- brown, th* pastel* and black—spe-

alltar crepe de chin**, Control and clal amphasta at U.I* writing pla**d falll* crepe*; rot forgetting a moot on block. Bat there are many attractive weave that ta known a* of the** colon end many i

wyh.-fipg i* t4%t yxx b* b>u^i

i. blue, uoda A* fcroead** 0*4 taaaM —epe- are Btamh OaWtafc Stad thtaO ••