CAPE MAT COUMTT BMES. FM0AY, OCTOBER 29, 1928

Page SereateeH

WEEKLY FASHION PAGE

M

r yOy^7>>p^Q<y^-jppc<>r"

gPeminine Elegance Char-t-Care Must Be Taken l Things Eccentric. bau and accetaorlea. and nothing amarter or aa smart. Trimming! keep pace with fabrics, and the rxotlc embroideries and appliques, fur bandlaga. ostrich fronds, and all aorta of One handwork are used make more lovely the already exquisite materials. Never hss there been such a perfect trinity to build a mode aa now appears In the materials, colors and decorative treatments of fashion. There la no ' monotony In t! silhouette, this season. And 01 fan not say thkt there' is any one silhouette, either, for while one tnbder shows a slim. Ktral^ht line, another, will be bloused' above the walstllr.e, utterly changing the appearance, of the silhouette. Both coats and dresses are Included in this variety, and while It Is quite all right to say that slim lines are desirable, they do not predominate over broken lines. There are models that show the Prlnceaae line and the period lines of the robe de style—these for evening. There are surplice .models that take a h’>ge how at one side of the hlpllae—It Is known as me pannier bow. And there are bolero and cape lines, full-gathered skirts, and various Interpretations .of what U known as the dolman line, applied to coats. There are fr drapes and swinging panels and uneven hero Uses—there Is no excuse foe monotony In your ward-

robe.

The presence of width above the waietlhie te a marked characteristic The waistline '

f sf ca*?I svxs' , /S&'T'

/TXKsr/Y&J' rfr-jT/T-ax

t a*-/»rrs' \ 1 SYC/T’ A j-srrxv x *sr&P0sI

STsTsPAXS' • A./SYsT'

marked In nearly every model, and this leads to belts, either separate or ae a part of the dress, wide gypsy •ashes, and many double belt trrsimenU with narrow ribbon as a medium. It to dlfflcult to mention a detail of fashion the has not been Incorporated, somewhere Into this new mode. It would almost seem that the nut step would hare In he a process of elimination.

Vqrlrt, In slecrce And Neckline*

IblUly I If there were no evening mode. Worthy ; we would have to admit that the I list .ot short sleeve was out of the fashion that we i picture. But some frocks, worn

aftri evening falls, show a brief

■t«r are | sleeve, although the majority of the

thr. models nr* sleeveless. But sports, tailored and both seml-formal and formal afternoon dresses wear sleeve*, giving them a deal of attention when possible. We cannot expect a decorative sleeve In a tailored drees, but we can and do expect a most elaborate sleeve In

our afternoon gewna.

There are high necks and low,

there ay* *11 sorts of collars from

elaborate arart treatments youthful Peter Pan. There

Which does not ptaysnt ©he from selecting the line that'' to -boat for her particular figure. That to the splendid thing about a ynpde that permits many things—on* can choose something individually becoming and not feel out ot style. And Just to show the versatility of a really generous mode—there many treatments of a treatment. ao to speak. The bolero U interpreted very differently by different. designers, the cap* of on* frogk doe* not* resemble the cape on another except In name, and sleeves in one modal give an up-and-down Impression, whll* In a second they are trimmed round and round. There la ’just tha faintest whisper of increased ■ length ckirta—not ranch, but enough. us hope, to effect tb* skirts of women who should take care! - Effects Are levy Important With us, who do not have the task ot achieving' them. It Is the finished effects thtt are Important And to choose the one that U. apparently. the only oh* for us. Indlvldually, U th* probtom. From scores of models, many of them Impossible for th* womap who must watch her expenditure* six have been chosen. Only the favored few • can select a coal or a dress for th* brief life of a mode and the coat, -specially, usually

doe* duty

It to the model w* are Interested In. rather than the material, for

Ime being. So—while you to decide for yourself u fragility of tha: fur or th*

know-you by-your-coat fabric—we will consider lines. Tou may possess a utility coat and a dress

coat bolji. or you may comblnt

only th* dress coat that doe* not I come in for hard wear that can gmically wear th* more fragile eklhs.

th* fur coat mode to developed In squirrel and wears a fox collar. Tour first Impression, If considering such a cqat for yourself. Is the fact that It will be quite as much in th* .mod* of ISST-I as the mode ot which to hs It should be. Its simple lines will kesp - It In fashion as long as it lives, which will not be as long as If It were muskrat Instead of squirrel. At the risk ot unnecessary repetition —8t your fur to your budget as well as tha fashion of It. Two cloth coau achieve dlfferentnees . through their fabric, but keep to the same almpl* lines of the fur coat model. Th* one. In a twhat familiar black and white checked effect, has a curious shoulder Une, no pockets, no foa- " that "date” ’t. Collar t of beaver. The other model wears patch pockets—always the mod*—narrow cuffs and

1st of beaver to harm on toe with the Indistinct patterning of the fabric. Tlie fur extends to the hem edge. Time Frocks With A Purpose For. th* ordinary events of an ordinary woman's day, we have' pictured two frocks. Their purposo is practical, fltness to the occasion. and {he one la of doth, the other of silk. Both are dark of color, the sports dress having Indistinct horlsontal stripes woven Into the fabric.* It wears a wide leather belt to mark the watotllos. nearly normal' above a pleated skirt, and to buttoned, np and

Jowb.

The silk dress shows width above tb* waistline which 1* denned by wide silk braid and a Une of narrow braid embroidery. These ars the decorative medium applied to th* whole model. Fashion Is lavish with her gifts In the robe d* style of flowered taffeta that has a transparent hem of net. a huge bow of velvet on on* shoulder and a spray of gorgeous flowers at the corsage. Note th* scalloped hemline In relation to th* pattern of th* sUk.

THE SABLE CLOAK" OF FASHION

ca- I geoua coat of'line broadcloth has s

i 1U sol*

r tt« *

It has been noted as a garment of rising Importance for many weeks —the vogue for colorful dresses given as the reason for Its advance.

Instantly sees Its possibilities, t to the on* sure background ho odd shade—anfl there are

many such—that you find specially becoming and unusually distinctive. No matter how trying, how blxarre. how bold It may be. black will

soften and srparten It. . p The black coat to a distinguished

garment, whether It be Intricately styled pr plain of Una. It .to. this

made of broadcloth—a su-

persmart fabric this fall—of duvetyn. of woolens that are soft textured and either suede finished or showing a sheen, and of broadtail cloth. It to trimmed with soft, flattering long-haired furs or with some of the shorter haired pelts whatever best becomes the material of the garment. A very gor-

les* coats are quit* As temperaments! about what th# silhouette shall be *s are frocks Because vre continue to demand It, there are many models with the stralght-Une silhouette—somehow we always like on* garment with proven Uae. Then there la th* silhouette that shows a slight ripple In the skirt and th# one that takes the blouse or the dolman Une— th are very, very smart. And last all. there to a new. flat tiered skirt that to proving successful, for Jers do not In any way lessen

slenderness.

Broadtail, caracul. Persian and krlmmer lamb belong to the same family. Krlmmer comes from Crimea and to dependable. Persian lamb to very young lamb and wears

well, caracul to the fur of desertj embroideries, iheep and to fragile, wl " - - * •-** *“*“

all to thin and dcUcate.

(CAWyPAY S~/SY‘ir l DidYouKnowm HAT broadtail cloth to a fabric ■ of tremendous importance In V the coat mode? It looks ao much Uk* th# fur that It to fashion's las* word in smart fur coats, and to at Its beat when trade Into A Simple model with collar nnd cuffs

of long-haired fur.

THAT th* beret caps, modeled authentically on th* true Basque beret, are so popular with yout* folk that they seem almost a badge of youth? They are appearing on th* campus, at the country club and for out-of-town occasions that

savor onporig. *

THAT Condon to sending ta d new bag of an entirely different sort? It to not ao very different to appearance, when cloeed. but when It opens up It become* a square, showing Us con tents at a glance. No hunUng nt nil for tha eluslv* lipstick or changA 1 THAT lingerie has Joined th* procession that weed* Us way toward harmony of color? For a year or so w* have been matching our bloomers and stockings, but now the lingerie must match tha dress. And there are some very lovely shades of th* newest colors. THAT novelty cuffs are th* distinguishing feature ot th# newest Imported glove*? There are both flare and turn-down cuffs and the medium of decoration la varied— embroideries. appHques, handpainting, Interlacing* of leather and

beading the favorites.

eiwars

- I. for

. The

11 purple «; ■M- and ti

I black There | wrap* and

r <?<?TWE AR

A /^^r/y/o/v /=>.'QO&/~£:b7

l

•T U no longer possible to keep

choice ot shoes down to two or three pairs, as In day* o* yore. What we wear will; th#

. orta and tailored ccetumo ca mot, by any stretch of the Imagination, be made to do for the afternoon frock, even when It to eemi-formal. and certainly not for the formal afternoon costume. And evening shoes are in a class by themselves. Add to this th* tact that there are many different colors, leathers, stjies and trimmings, and there to

i- _ . , ample excuse for bewilderment. cloth coat, fur-trimmed or : „ . , ,

not. ae your budget permits and , Bul • hort ' . have a fur coat for drws purpoee. of * n Importance equalled

Thor* will be a deal of fur worn

coat and a major proportion o

■Ullty coale will hare at least u ' collar of fur. and usually cuffs.

gtlets anfl restves and watstcost I treatment*, and H to noted **— while there “ *"*“* * '

i wilderment must bo overcorm

this winter. I racUcally every dr*** Your lootwcar mlut be consplcuoi

nly In the sense that It Is beauUful. . ipproprtate, and of tits mode. ,

.... . which it hardly a deflnltlon of th* i

while meny will wear poqkets and ,, ong p| cuou , thl.ig. The costume. I bandings and -even phneto of -fur. ' ^ ^ under , 1>nJ it. to a picture. ' until you are somewhat In doubt >(U uf hj , , h . H . s , 1Mlery an( ,

the original material. If to of | oUl , r lm „eratl

harmonise with suit icn skirt, end only a

utmost Importance that you e sure of th* wearing qualities I

all kind* of neck-I you Choose for th* utility coat. «r i

rk Is the favorite. I fur or with fur trim

THE COLOR OF WINE

valuable a Garment In the day- j tea. are ! time werdrob*. carried o ' 1 Hton of 1 broed.ioth—-a marvel , youth tailoring. And crepe aatln. r

g them, i Ing ><

a groagralu bell—v»-ry wide , ,„ake a waistline only sj> Inch or »o , There

sk'lled ! below normal. Faint tones of thi* styles. : I 1 win* color are seen In chiffons for , And In evening wear. - your Ic

There a™ coat. In ever, possible „l*

and probable model and a .Ac with .h

range of materials, th# fabrics In- by fasblor i turn mar show embroM-I rltnlng to high-texturaa. «■* suede II at jour , flnlsh and cashmere sreaves. They s:ead ol t

, sir

alor beet, . when '* h ** u h decoration. U fur And fur u best when U ls> short van much to embroider?*# “ r ' ‘ h * *V™* * I gray-Aome shade. ..king aqulnel should

Th* claret and ruby -Ins olh ,„ ni , dlllJl niolt . g,,, then I flaiterlng. j or fox preferable. There I*

, molrr-are i other color that p.*sscM»s

. - -a glowing richness of win* fed—may | is Imperatlv

a Into the winter montUa! i fact that If you

k fabric stall- frocks i

\ are eteep- | Ribbon, erossi,

• I ones i ter* levsly on tb' that to ! on# little truck it

mfortabl*

d moire I U live

ccesaorle*. chosen

It matters not tha* ‘he lower halt of the' slipper hsa th* Un** of a pump, while tbs upper half has strappings that become >-our ankle, you are content to call it Just a shoe. If it meets with your approval. For rtrape are faahlonable, either one or more, although one strap—it may be narrow or broad

—to the preferred choice.

Forming sort of a background for the shoe mode, w* have th* opera pump. It it ths same | we have known for many a gracefully slim of line and i .out of the picture. We also ! Colonial pumps and buckled pumps. | not to mention sandal pumps, and ! many of tho shops are making i special mention of th* shorl-ra' [ pump. Which lead* us'to the ci ‘ elusion that the abort vamp coming Into Us own again. W certain folk, who tnatol on wearing the type of shoe that flta them | Tiie Oxford, a* fashion kno tods'. 1* not a thing of heavy, ugly ’ lines. The vogue for light colored hosiery made the straight line Impossible. for there was never an uglier footwear fashion than the old-fashioned Oxford and light i olured stocking*. There are Oxf^cd. of this oldtn st>-le. but they

sports or for tailored

dlile for the tailored costume. Colors and materials and trimmings are extremely interesting in relation to the footwear mode. Consider the day of ths black and brown and while footwear displays, render thanks to designers for beauty from which w* are permitted to choose. And those were th# days when shoe* were made of leather, or. In th# summer. * as. In contrast we have many kinds of leather, velvet and aatln. even moire silk ueed aa a material. Three thing! dominate the mod* when It come* to color and t terlal — reptilian leathers, black footwear, and duo tone effects. On* might even sdd a fourth and elude duo fabrice In the Patent leather, calf, kldskln, gold and silver kid. silver patent, euede and the reptilian leathers an fanhlonable. and the combinations of one with the other are too many to list. As In general faahloni there Is a tendency to combine tw< materials and two colors In ont slender shoe. All through the spring and sum mer. fashion flirted with reptilian leathers, while the buying and wearing public propheclM their disappearance from the mode. Bul fall *nw them even more populai and used In many more ways There are apoyta ahoe* nnd dress

shoes' made entirely of snake « alligator skins and there r re morw models that show a trimming ot reptilian leather than do not. And be It known that one does no* have to pay for real reptilian leather. If she may not afford U. for there are soma almost perfect Imitations of It on the market. easily seen that this vogue Introduces color Into th* mod*, and makes some very lovely models possible. An example to th# ptcurrd shoe ot patent leather which s not content m.th on* differing leather for ita trimming, but must two—gray, honeycomb sued* and silver patent. And It display* them effectively with a wishbone strapping. Bright colored leathers are back, and ons sees patant leather In a tone of red that U as gay as cherry red, there to also red and marine blue hid. and there are new tone* of gray. Black la th* Immediate vagus and It strikes a note of econom.' ' that to very welcome In a fashion period that offers ao many lures to one's pockelbook. Th# predominance of the wine reds, th# shades of purple, od.. greens and blues may. or may not be responsible for the many black 'models, but th* fact remains that black rhoea are smarter than ever.' and are to be had In every type of material. Including repUUsm leathers.

TRIMMED WITH VELVET

I because this 1

• when hosiery 1

There la

the Oxford In th! ire the materials

r . irv.— d ! easy t

model of th* Ikttei

with velvet.

Fklrta of any i

that show tiers or ru on the aktrt—th# 1 below a bloused bodh

.brie trimmed

ftern

•m l> tt.r ! daintiness .1 the model* that the : designer v aw-lt» shoe saltsman offer* am a demon- frocks o ■ ixtord. at ration of the frshlon of thejand chlf 1 -llpp-r. oxford. It wears applique* and' Thu oinbined . ha» cut-out effects, and It to cut velvet la extremely low. al least from the other rtrappe-t point of view of It* ancestor. But drewr*. ■!» name 1 the modification of thta style makes ! and the one lime. 1 It a possibility for Informal after- vice vet r I- nothing In ’ noon wear, and also makes It, In; that a the ibltiK- And I seme of lia lighter moods, tmpos- i of a v*l

1 In combination wl rials tor two-pi. lumper of the voP [ of another fabric. I on may ever, cla

e of ■ bodice-

lot. The band* may match, s snowing only that contrast y may be In another shade of

same color or in another coloith* rufles themselves may be velvet. It to noticeable that

an trimming* are elaborate on

skirt there is usually only tho uch of th* velvet on tha