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CAFE SAT COSTTY THIS. TEIDAT. lEABTH 25. IStT.

( FASHION , SUGGESTIONS

FEATURES FOR WOMEN

Page One HINTS I HOUSEHOLD j

jpynz'TX/ZjS'

)o You Ask ‘‘What’s New for Spring?”— Your Answer Lies in An Infinite Number of Details.

\ i'lUXQ toshlons borrow n*w

from tbt un»*poel«a.

P Tti«r» or* n<llc*l departure*

tha cenvaation*! ihini realm of lodlri.! atlV

.ich » but anothar nan**' l 'r icrantnaa* Wa ar» tncMnad to • »bt now modcU teodcrad r appro.il with a inoa’. ap- « ara for it !» t'" 1 * ot

I rear winui ,U>«-

altbcr a«%i)tla* or r-)*otlot.

d In adopllr, wholaa are adapt- |

i ltd utada and « ' '

thrra u no arrument—aklrt lerrth and Iba walaUln*. Bklrta are abort and the watatltne U marked— above the top of the htpa. If It !* correct, not below It. There or* nuuijr waya of achieving thl* deflnltvhaaa, aa there would have to be. It everyone u attired becomingly, and there are. al»o. many ways of rJbllc n, '* > ‘ ,n * I 1 -* akin aeem becomingly “ |i4 i Ic-agar, e.eti while It continue! ‘ j • inertly abort. Hr abort w* do not j maan knee-length, but at leaat two J or three Inchea below the knee.

• when the aklrt la at real.

etlona. for that la what the »--hew And r,.in~ ISerlnga of both tha Parlaien ecu- i Wurd Abo “ l ^ brtc * •' nd ° olaTm • and domestic originator, j They contribute to the realleea re. Be It known, however.! .Uhouatta by their pliability and ire eeeraa to be wllUngneu their Iona harmonica, the latter n tha part of tha faablon world of aura lo he abueed before the aea-

capt tha aplrtt of the j eon ende. Crepe, aatln. tafieta.

i spirit governed b) i Ueorgelta,. the prtnled alike and loftanlng mBuancea that are dom-1 many llghtwetght. auppla woolen*, haled bj becoming element*. Many ; a> wall ax the chlSona and laces K the fundamanuta of tha general I era all correct. K«ht now there a are debatable Issues—though i u a deal of black and white, the | few era not. i wide range Of blue* lx good—that analysing a mode there are range hex Seen widened conxldtany things to be considered. : trebly, gray, green and yellow are rouped, for convenience under : featured, ombre and compose efbeads—fabric*, cotora. to-i ^ * r * i f «‘ ur * a - * ua b^l * h,

mmmings And at this time j color * pr '’ v * u ‘ , .

of these funds in antala are In «•»•«» TtK - m * ot the n, ° a * ■Dbi.rdlt.eted to the fourth for the —there are one and two-piece ■lihoueuee the thing' it Is s ’ fr k*. tw. three and four-piece i mew hat Intricate affetr. known ; .uit«. and the Ineviubi. coat frock itlouMy as the -broken." the "in. that always cornea bark with spring. traptad." the ••raetteas" eUhouette ! The— are developed In iwo fabrics

' » well -l— .ad

. 'if

. <59*' &**■&****

mm

iQj? S-t^-jrry Gcurz' S

statu a

e thejl

.f thing*.; a single frock. Already It U erl- » «o« «*.. n- < <.— ey

! broken or raetieas silhouette wtth-

tl

ecee and taro colors. One hardly knows whether It ere better to ttll what i* being ore. or be extremely brief and it the thing, that are not being orn However be It known, that rckllnea are varied, and while the

' “*• *"** uuaetlon. j r>e*nlng The WalsUtne

tng to one's mood. The collarleas frock u the thing, but It la not an untrimmed neckline that results. for fashion has found many ways of softening Its severity. There may be nothing —vers about even a suit, these days. Considering lines a. ono of the details (hat go to make op the mode—the seal of approval has been eat upon horlsontal, vertical, even diagonal line*—hemlln— show tv tendency to dip. as a result. Tucks and trimming treatment, achieve these line*, and when diagonals are desired, there may he Hera, or fringe*, or * girdle that hug. the hip* and keep* to this line. I'ieata are very Important— they are one way of achieving the vertical effect that 1* becoming •lendertxlng. In any journey through the ■hope, one 1* Introduced to the frock In compose color erect, the bolero model, the dolman or bloused affair. Thera Is * flair for the half-belted back—known a* the "martingale,"—and for wide armholes and the kimono shoulder. This result* In a silhouette that ha* width shore the waistline, but keeps to the straight and narrow path below the waistline—that when the wearer stands still. Th. are yokes snd there are girdles, and there are some most Intriguing There Are Fashion has. suddenly, discovered the bow as a trimming medium and she Is using it with a prodigality that emphasises her faith tn It It would almost seem that she saw lo It an excellent way wandering lines. Thera Is much elaboration o* sleeve*, and cuffs are ; Important—although many clever 1 esaary finishing touch. There are . Jabots and vests— and surplice ' ti—taient*. snd there are some ' curious little Jackets that are rei movable, yel are a part of th frock

; Itself.

Spring will make Imperative the i type of dress that can be wciKnra ' i the street without a cost. , coat-frock, pictured, will at I the purs'd— admirably, and an excellent Elustratton of the silhouette wide at the aheuSdera a- d , l i above the waistline, ft shows, t. > | a near-to-noranal waistline, i

steg ry la carried out In two of hr favorite shad— of the green range—ptstache and goo—berry— delectable ? There's detail for you. ■e use of ono color on tha other, In a simulated bolero, tn a cellar that dalles the collarleas rue. and a pockat unique In lilt and placed cleverly In relation to the narrow belt. It seems very a separata handbag, of tha chatelaine type of twer ty yean

ender linns. Tucks of tha ma‘rtal emphasis* th* cuff line, there a wide arm-hole, and the application of the gray broadtail is both unusual and effective. A smart ensemble, made up of coat, hat and parasol, promts— much for the ner months, snd assures us of wider brims, to guard against ths sun. of fur on summer fabrics, and of softened simplicity of line. Of artistic simplicity, the after>on frock ot tan silk stresses Its sleeves, painting them In a stunning fashion In ton— of orasgee. The slew— are the frock, although, e suggestion of a drape 1* !muiant. The model evening frock, elaborately beaded In gold, with quins aiding the beads. The ige bow of velvet ribbon, which may almost be dignified s-nh the title of train, la cerl— In color, the color combination an unusual —«d DID you"know — C HAT the stocking shops are noa offering a "spare" with each pair, so that a possible run or ladder will not end the usefulis— of the ho— that have been •arefully matched to the cneemble? >oubt* the wear Is expected when

C-efS

L

Lace —ChiffoB—Georgette would Mem that fashionakers. casting experienced e> — IT the fabric Held, have dieled new beauty tn the very r ; icriala. and more —pedal-

time

sheer vogue of smartne—. And It embraces both the long and th#

aborl-sieevcd type of dress.

The sheer crepe da) time drees, elaborated with timid work or with lace, appears at all th# smart functions. It la the bridge frock par excellence, —pee laity when combined with hand-embroidered net or bard, thread-run lace. When the model adopts a tailored mien, there ts Just the mer—t touch, but whet: th# demand Is for elaboratene—. It ts answered with prodigal

applications ot the luce.

When th* fabric la black, naryulira smart, Juet now—or beige, tha lac* ts bstgo-toned. when the n tcrlal ts gray, the lacs is In t ■uk* th# form of taco cuffs s collar—the latter applied natty collarleas effect, a lace yoke and forearm site'—, side borders Inset panels, or lace cut out pllqu—. And the result Is a *p rhntss 'hat Is quite In keeping with the new tcmtnlne theme. There are tiro— when the la I frock that is designed for dtnnei

(TXCCK*'

Milliners consider them, shoemaft* era consider thorn, even as they return the compliment and consider hats and shoes. Thera ara felt haU and felt bags, patently mad* for. each other, and sometlm— It la proven thsi Uu«# is not th* crowdl Is claimed to be, and there era felt flower* lo match hat and baff. The bat of this ensemble Is tnor* then likely a lam. and the bag Ig

po i-ahaped.

w# are always Inter—ted In thfl new hosiery fashions, and while the average woman finds It much too expensive to he always wearinff th# vary let—t shade-ahadeg changa dally—aha would k»o>* whether storking* «r* lo bo Itghfl or dark, and how light nr how dark. They ara Ivooatlng dar ' hosiery for daytime wear black, heeled gun metal tha favorite-— and, of courae, light hoalary for waning. Till* doe* not tn—n th# pa—Ing of llfht colon In daylight just tha dark stockings arc smart

a thte

fw.Ar/<£-

at th* n

Jew -y. ecarfa. the InevHabld boutonnore, handkerchiefs, all tha** are Important. Whera wa used to *** an occasional Dower, n—Uing in the fur oollai of a ooal. or smartly Identifying th# twepico* tallleur. w* now aoeept tha artificial flow. i. mad* gg Many m*e tertals, as « logical part ot the cos* tunic. Afternoon and avenitif frocks wear a blossom or tw.. ns « part of th# general color achema, and suits, coats and even th# tailored daytime dress consider it a

..see—Ity.

ftcaifa are an accepted part of the costume, snd men* vomea , hoot* th# correct on# tor each .ire— they buy. It 1* not merely a graceful acce—ory bul a aoflentnff .tiRuettce many Urn—. or it may provide the till of color that log frock really m-ede And more often

:

Oh a mission or

MPOPTANCE

•RipiUled lu th* type of 1 L- tie* st the *Sde—quite !< ,*» sight as th* left—and i a

n-hol

THAT a new shade, guaranteed o "go with everything " is called lest us?" There's a hint of gray In It. a hint of beige, and a pinkish

THAT fashion tried cat th* tor >1— shell hat ptr. and liked :t *< ell that she proceeded to wear 1 i pairs? Then she banded ;h< »p of her envelope hag wlti *trh the drapery ot her skirt, am

lory of fashion trtbetihe to the will be called ui garments that •

ST SA- .a

11w* tart* about

SMART LUGGAGE COMPACT AKD ROOMY

he c. bee lately plain nee • no: a collar. THAT a news nets f

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