wrt hay corart rana, feiday, apml 22. imt.

Pajje One

FASHION SUGGESTIONS

FEATURES FOR WOMEN

HOUSEHOLD HINTS

here Are Coats With Fur and Coats Without It —

Details Are Most Significant.

| HERE U men tfcui a chas?* on txtwMn «h* eoat b a «toop of oHftR»l* root that t* effort at rm ••popoiar pMoo» " ♦ of th*tn if arcuratc rapr . but mcra of thorn ara nbicatton of thaV

of

a rathar unoaual rartatr. Hara ara mora «atatu to laa and adapt than thara

fcava

of oaw fabrtta. Ml ora. and now ParU-apon-codaa that ara otdnlflrant In tha canaral mod*. Moat of data ara compoaltaa of th# !«• faahlon nrlata that tha orUha»a takas, but th# aapactad orata copy ta not lackth* In any ►rtlon Tha campoalt* Idea, howla raaponslbla far a ranaral stasnaaa that la praeUeally uaatbla In a mod* whara U doa* •atac for thara mart ba dlof datall If <t*r* !t te ha •a! anitabliU) ‘^ptlelty aaam to formad an aHlanea for th* at of our outaida wrap#. »t**ar our tr.dirtduat r*r our Individual b* mat in « do**n aatlafacway*—thl*. in happT eontraa; an 11 »aa lmpoa»!b:* . cna coat that waa ly mu*factory Blmpl* or alabIn concaptlon aa on# comf. tha naw aprlny ooat should

dallfht

thraa pcaalbJa dlvlalona

ba daytuna coat moda. for it ■daa tba topcoat; tha a»ra*t : and tba coat for aftarnoon

Tha two flrat group# hava

. aUndar dlvldtnd Uao to mark

r dlffaraaco. and ,faw

fortunati

tha •extra" coat that woman with a wide rang# of aotlrlttaa tod *0 convenient to poaaeaa. TV •» fln.ly tailored thing of tweed—' alwaya place thla fabric Brat In any rower of sporta material* for It* Importance cannot ba too grant ly at wad — tha bomaapuna and tba

■rocla. both Import ad

and domantlc. that oontrlbuta tha

raquUdta variety.

It U tha material, raora than any other on# thin*, that ciaaaaa a modal aa a topcoat, rathar than a •treat coat. The latter ta a aUp-lnu>>ta-a-hurry aT tr that amployaa tha aoft naw woolen*; wool crape: a combination of two apparently unrelated fabric*—«llk and twaad. It eomplementa tha laa# elaborate type of frock that goaa shopping; stays downtown to lunch: even venturaa a matinee, but keep# Its place In IU own group through tha type

of detail It employs

it. that

will combine th# -leeful topcoat with tha street coat. England send* ue the saunter coat, very slender; very aroart. and fa*bIon*d from a •ru* British fabric, than which ther* la notrtn* lovelier for th* purpose. Bom-imaa It wear* a fur collar, again Hr neekltna shows mannish lapaie with roam of tailored stitching to make them different. Thar* to rivalry ail through tha coal mode between the fur-trimmed coat and tha ooat without fur. Coats In th# flm two group* employ unusual atyt* feature* and trimming detail* Straight and •lander they mu*t be. they •traaa certain details—bait*. Bret of all; than tucking, and reaming than original collar* and aleeva line*. Jaurtlnana to a charactartotic Uao a quality of manntohneu

• enough to possess that la. neverthele*#. in keeping ill* « i\ey hava real with «ha ultra femininity of the *' . jenersl mode. Balt*, incidentally.

may run all tha way round, or atop

before they get thara!

Noveltlaa and r«rival* that attracting attention Include * "lac#" weave In the tweed group and an Angora basket w«

t formal ooat that

* used for Important after6 events and informal evening

For Town or Country

D baa always beer th. , the answer. And It to an a* : par agceltoaee for travel! cbolee for the buMneee worn untry wear and now It i muat Bud tebnea that wtl. m

ived tha « miagty !mP"» i approprtkt.

nry ta make i

— „„ i# lovely shadow wn*ooatumMc I tweed, that are carried out in inUmlf aa * I distinct pattern* that m»k* use oi tha faraiaost | brown and tan. black and Oxford

bids fair to ! gray, black and blue,

miliar Jeraey : Tba two-piaua tailored eult tod* arlty It u at- I thla fabric to its Ilk 1c*. and ons lannlBgly into; may hoosa 'tom pattern* that Iona ft spring- { rang* from mfktarea thst give so

> frock la de- i affect of a soli

lass black In topcoat and street « than In other grouping*, which only IntanalBc* Its Importance In those models. Coots With A Toach Of Formality Individual coat* of beautiful woolens that ara quite aa ioraly In their way a* tha allka with which they associate, ara most Important when they ara black. The vogue of black and white is also Interpreted in a most Inter eating manner In coats that have mora than a touch of elaborataneae. yet remain surprisingly simple. An> and every usable detail appears In some version of thla mere formal garment but whatavar thoes details. tha coat remains uncompromisingly (tender. Bari* accent* tha Importance of lovely color#—Just to maka black mora effective, of tiered effect* and of diagonal Una*. She contrasts materials—as satin with a Ouit-aurfarad fabric, and Baris, undoubtedly, lovas fur. Tha alliance of elegance and atiapUclty to charming and undanlabla. Aa a fair example of what designers hava act thrmie'.vae to do. ther# to a model of black kasha cloth with a fur bordered caps, tha fur ashes of rome fox! There to a most pleating diversity of nackllna and soma vary unusual decorative treatment*—taffeta bow*, or bowa Of the coat fabric, fringes, allk facings of tafifetn or moire, and ambro'.derlee and applique* esampilfrlng tba lattar. Tha shawl collar and tha full Tuxedo banding ara moat often seen when fur la used, and tha favorite pelt* are ermine, kolinsky mole. American broadtail, and- It goes without saying—fob. The C oat Without Fbr Rom* of th* French dealgr.sr* are atrewing two omission*—the frock without • coliar and th# coat without fur—which brings fur into th* *ame rotation to tha coat mod*, that th* collar oocuple* In the frock mod*- It seam* a logical way to complat* a ooat--to I trim It with fur. but the** new t models prove that a coat can get j along vary wall without It. and • achieve a smart formality with I collar* and sieevea otherwise I elaborated. When fur I* uead. It la oftenj Urn** con mod to a halt collar, a* i w* see <t In the utility cost

_J, and ther. are a few model# 1 of lac*. Turk*, pleat*. *a were and two-•-mad ribbon*

THAT lust a* wa ara becoming ■ccuatoraed to th# vogu* of tuoka. -1 pressed in many mo*t effective ways, frlng* appear* a* their rival I, ; | t u extremely difaeolt to eay ahlch to th* more important, and when frlng* to uead. It la a matter of choice whether It be narrow or wide. THAT the auli bag. tba meet Important bag of a* ••aeon, may ba had In all the anted” colon! And there la a *!«• -bole* In leather*, as wall, the variety including pirskln. antelope, calf, and all tha reptilian favjrtU*. aa Wall a

7y^ coywzt/XP

blnatlon

and th* uaa of shad as of a color, and • orgeat* Interacting possibilities. The lack of fastening to

notable.

And White

•ano* of this color com-

1 expressed

a utility coat, th* other an aftarnoon possibility The u»e of white fox fur on n decided check —although a somawhat Irregular on*, prove# affective—the designer depend* upon It so much that any other trimming detail ta omitted The eacond modal* also depends upon IU fur for IU trimming and

appHaa It to tha aklrt of the garment for the purpose of contrast Indian ambroid*;:-* always prove both different and an art. and when used aa a trimmlm for an afternoon coat live up their raputation. Th* metho of application | to a bit unusual. ; roving welcome for that reason, it for no other Again white fox to uaed for th* collar, but th* ruffe match the applique. It Will be noticed that all these costa Impress with th*!r ■ lender tinea, yet ther* Is no hint

ordinary.

One and Two Make Three

1 mixture.

of weight, peasant

! bait. On# can easily vWuaHs* tbi# (coat without th# for collar, cob | unutng th* earn* fabric treatment all tba way round. There to a per i apnal preference for the touch oi 1 ar>ft fur. which repeal# tha color*

t that th* coat 1 *

TT|f. ara h*»rin* a very «r»* : AHdeal about harmonixing unit* w^vof dr***, and type, and p-r-And w# have already very great deal about ensembles and ensemble coetumt* and the like. To bd Individual, that I* the desired thing, and many are the ways that are being .ound to accomplish It Law winter, fore casting th# mods. Intrigued u» with id-ae of two. thraa and four-place suit*, and premised many variation* of th* one and two-piece frock. And now. for good measure, we have the three-place dreatl It U really a dress with a detachable Jacket and will lake tha place of a suit, later on. whan wool aeerr* out of placs. II may. however, be carried out In wool crape, at thto omsod. and find use* later on. for the jacket to an unltnad affair tha*. carries vary little weight—-except In b* on* or two-piece, but In e1th< r event We call the ensemble three I piece—no one knows why! The aklrt of the dreaa la, uauallv lot tha .Jacket material, which !- j crepe or silk of some sort. The [ blouse provide* a contrast In color j In many of tho modal*, and wher 1 It U not separate can aaolly bii made »o. leaving the skirt to *c i quire a bodice top and other \ blouses for contrast. The skirts ar* j pleated mare often than not. th* blouse may have a Jabot or any elaboration that to tailored in feel mg. and tha Jacket wtl! b# hip-

length.

Many times tha Jacket as collar-

btnatlonx. black with whit* or printed allka or aom* color, navy or grass with while, tan with beige, and gray with fleah. A smart modal of black Caoton crepe had a blouse of primed silk —bachelor-button blue figures on a wbita background. There were land* of the black on tha walat. th* coat tied Just below the waistlint, and tha coat •leave* were three-quarters length, showing th* print In puff affect above narrow cuff ban da

DID YOU KNOW — C HAT tha dog you *•• tucket under Milady * arm. a* *h. atrolis along the Avenue to no a dog at aiL but a bag? If* a »<>? and woolly affair, thto bag ma Bad* a dog's life, and guard* it

THAT a group of frock, recently Paris* must famous designer f.

C HE Mat ef every costume 1* not. naoasnarlly. th* frock or tha suit, but the details that go to complete It. Indeed, it would almost seam, aomatlme*. a* though th* garments that have { been hitherto classed as funds- l mentals ara really accessorise Tha* j th* dress or suit to * background, no ons can dany—'t may com- j plctaly ruin th* choicest collection of details, but ther* are more chances that xaceeaorlaa will ruin i the frock—for there are more of

them.

With on*'* coat -me claae'd a* an cneembla. mads up. neverlh*- ' lea*, of several minor enarm!'• 1 (here to practically no limit to the variety of the combination* that ero possible, no matter what the type of costume. That each typo mutt have Ha special supplementary acraasoriea goes without saying. or should, war* It not fnr th» fact that thar* U an Inclination to disregard thto law. whan »omn special thing appaala. Acce** rle* that go .hopping in the forenoon may not stay In town for lea. The morning hour* call forth th# tslUeur eult. that muat b# P*.* feet in IU every dauui. or th# tailored frock and street coat that have bean cbooan with du* reference to each othar. In the aftarnoon It may b* th* aiht costume, or ll may b* tha brldga frock worn under tho more alaborate coat that functions touched with formality demand. Evening cloth** ara Juat that—evening cloth**, but there ara utility 1> P*» upon which one must depend to bridge th# dinner hour, wnen tbare la no opportunlly Accaasoriag are touched with unusual interest, this particular season. because tba mode In general :• a curious blending of tha rlab oral* with the simple, the Idea be ing to ba Just as frivolous as pur slbla without sacrificing tha fund, menial of simplicity. In setting an example, we always raven to the tailored *ult i-f : ' - rap or twill, for It la th* uitin-si

variety, and th* handbag to of leather In envelope sbap*. altho-rt there are other possible forma. There to a splendid opportunity to link footwear with the handbag, especially when on* of tha rap

Thar* will •ne'e build

'rblds It—and the inevitable boa- ■ nnlere will b* tallorad. too. That leans that It will b# a single ,iw*r. a* a gardenia or a carnaon. a few cornflower*, bachelor** buttons or pan*ies perhaps, or a

-uquet of wtldBowera.

Going further Into detail concerning these detail*—tha nat and shoes may match, or th* hosiery and gloraa. or there may be mors details in a altixlv group—even glove#, hosiery, bar. blouse and hat keeping to one - U r aa gray, th* shoos being black patent leather and tha boutor.r.icro cornflower*. The choice of a fur scarf may not bo neglected and beyond an question. fox lead* th Itot. Tb* ailver. j b> pointed and !>. .« fox *kln* ar* j v< gorgeous: there ire dyed fox scarf*, j di and for her who prefer* them— | oi ■able or banm martsn. j «- Passing out of tha tailored realm, t! ue erm* to the more elaborate and ! >0 gracious • I stalls that aup- I >d piemen >! • : ridge frock or the j n mutt hav- i same thtnga—-hat*. ! a

■rixa them, and they will provu difficult to select. Color* era smart for afternoon coa.j* poasaaa aofin###—<h# rang* of blue and green and balg* characteristic*. and color hacmonlaa ar*

more aubtl*.

Thar* ar# monotone,

and th* ombre and compose tbamaa -on* muat b# vary clever. If ahg attempt* anything that to especially unusual. As a suggestion—a frock of chiffon In a becoming green, and for wear with 11—• hat that combines the softness of green feather* with the suppleness of soft fait — a copy of an original. Shoe# of reptilian leather in a balg# ton*, but showing applique* of green, and worn with b«!g*-hu*d hosiery. That th* hoslsry la chiffon shear, of parlect texture, and flawlaao weave will b* a foregone conclu-

sion.

Gloves Win *>• of the beige ton* of tha hosiery. and tha handbag may be of Beauvais vrt.broidery In anvclope shape, the embroideries don# In a eofl blend of ro*», blue, orchid end green. When two or more •bade* of a color are used the utmost rare must ba exercised in the blending, whan a monotone Idea to carried cut matching part* mas: show perfection in that mat-hlng. One may even find

orchid for corsage o* ornament — a beautiful beautiful stuffs, cleverly

: proi

s in li

| tailored, thto eult n

„ r * Into savers! ooatun

new j change of Momso

i pins' ; Thar*

. (Are i

oiler ,