Page Ond

, SECTTOW

CUE « .T COOim TOtES FEIBAT. HAT 13. 1M7.

fashion ;LGGE5riONS

FEATURES FOR WOMEN

HOUSEHOLD HINTS

, cicnltr. Buck:.*—* Ul« »tT>« not* ■mirtrti th. f^otw^r. *»■» ■ ^ f f*ncy bucklo—It I* net to* | fancy—to »nd th* U»* of frln«*. j which turn* upward In front. Ho**, b** *nd *Iot** mak* *n •*- **mbl*, and th* bat. hu*aln« i* i rustically bobbad h**d. la * P*t-

fact choke*.

Th* now .Id* flehu I. a bwwnIn* I In* for th* woman who would wear only *Und*rlslnc Un«a Th* bloua*. th* *nu* hlplln*. tine* that suy *est a deep Eton Jacket or cap*, and *oft draperio* ar* all chartnln* on th* lar«* woman. Th* U*ht

- — th* rigidly normal

uhiy. .martly and ■*n*ib!y »» frequently have our n railed to th* aport* typ* ‘ that ha* b**n dealtned. tij, lot th* woman who !» m far a* gam** ar* conAnd we ar* etruck by It* ^lenem to our purpoee ■ a* by IU Jaunllnee* and It ha* been created with 1 rdeenea* thal ha* real

ir Sports Theme Dominates the Daytime Mode— There is a Spirit of Unstudied

Everywhere.

Thl* appll**

daytime frock* and erenln* frock* , -their u«* dlflering, naturally. monlalntt with th* fabric of the * rm * frock they adorn. Metal. p«rl., enamel, brlltlansa. to ' “

„ many eeather* U mor* that to U*»bla there to that cannot b* v

: «oa:d be quit* a* Inappro J* for artual participation 1* ■ J rx-rnta u* the attire of tha -** ftwn would he for th* but it <-auae* at to be very to the cam** that have freedom of movement *i

< be •-.in*id*r«d In deatgn- all manner of - -pl^. **-

only a queotion of malpUnanc*. anyway, but U ha* not. apparently, harmed them In lb* laaat. They offer ua eome delightful variation* of th* Oriental *Uk* rajah, pong** and abantung. and. of cobiw*. th*y hav* gtv*n a very great deal of attention to th* *tlk " to Oeorgott*. a* well d b.ng-Une—the two letter at their boat In tha dree* coat mode. Then th*r* ar* th* prints— to be expected with th* (prlng and •umin.r openings, but moot aurprltlng In their newnt* of *n*ct.

this a

practically *t*tt m*d*l. friendly Oeorgett* like* company taReta. or aatlu ag a trimming. I* aay. A vertically pl*ut*d akin below a hortxontally tucked

Of f

W* are not unaccustomed Idea of th* floral print, for w* ha had It with ua •vary •pnng f many a year, but thl* n*we*t mo Introduce* th* *mall floral print

lor combination*.

«r wear for everything but clooe-oot that at a dinane* the ’••■at T-rn,»l daytime oecaMon* general effort U of a aolld color. ■ formal modal w# often- And there ar* check* and plaid* > W.- » tree* of the ag*>« In- ! galore In th* new printed patt*r« a '•■* Influence. ! end th.y ar. road* to tak* oa In- > latcreet i n material* I* *1- ' terertlng effect* by nrte u*e# ol

1 '•clr-x r»\ ived by • new fabric ; them.

'•*w ua. „f an old on*. Then on* may arnum* that fashion 1 it', fr'-uuestly, revival* of herertf l* In doubt a* t* which of 1 *•. . that baa been *J»*!>ed I th, two typo* *h* prefer*—the on*

I'uiiortance by It* »t> | ur th* two-plec* dr***—^ return* a* * novelty. ] very prodigality that ab« ■■■' cert.In t-.inga wltf atery | jt t, quit* a* though ah*

“ ' and w* apprectato 1 mg ,he world of women to deride

e different, even though It j for her—but her indedaton U only < new ei apt in tu | reflected In the attitude that th* ■j later '.fferlng*. [Individual take*. Both ' Sl ll‘ And (Tvpre tmporunt • tbrir “point*." and ««

*!•*! effert tha detarmlned

Keep In mind th* fart that we e conalderlng only the informal dree* types that are. really, th* major portion of our wardrobe. I* women hav* Util*, if any for the formal afternoon gown. Th* type of dre*g thal u*** tuck* sleeve*, collar*, eklrt end blou#*: plsatlnga ahlrrlnra. *v*n smockings. sr.d graduate* color effect* from pale to deep tone*, then on to the deeper, even th* deep**!

■hade* of the color.

i*teat* divide Into two or three tier* In * aktrt. bow* wtng oil pertly, belt* trace a line wher* !' 1* most needed; collar* ar*. °r Are not. sa they deem It At. »nd cuffi and veatee* and bulton* and band mes—(rowrraln emart In the let ter- add their bit to tha general ■marine™ I P and down tuck* ar* checked or plalded with round and rt« ~.d tuck*—U U pomlbl* to do *o ’ cry much with thl* bit of elaboration without •■•cling Mm

X

They are *pe-

rtnte Combine With PUln P’ahrlcs The small print combined with a plain material In th* ahad* or color that le to be erophaslsod. Is a fancy of the moment. Such a combination la effective when there are •trapping* or bandings of th* plain both &fKln>! the figured—ths Inevitable

variety flower will be of th# print, or It rather amazing what ar. mar b. of tb. plain material srtth b . apparently almpl* dr-o* caa do. • center of th* print.

' ri . . The keynote of all faehlon la Mm- two printed frockg ar* pictured. ' plictty. but It U certainly Mmpllrity bl)tll egempUfylng a popular typ*.

»lth a difference, for It* proem** one. a conventional flower print, ta arc moot Involved Vet—there I* combined with whit* Oeorgmte— no denying th* reeult. The m*an*j wh!t . ,h e chole. alne th# bach to th# end may !•« familiar—and ] Broun4 c f the pattern I* wWt*

’ ^‘"“'Nthey ar*. But th# u*e of that Tlie Oeorgette t* used for collar

-•..z^.SuSr ~

"eelUng" quail- i Bo'-b color and fabric play a pari. ' former. 1 b ‘Jt moe Important th >* a.-j 'on* been a *vi orvir i manipulation of fabric. -I. that all thlr^I be!* «.mlraat In lAn*. Ooi la the preferred fabric. The Importance of Contrast U * *r Util# impremicn haa preven with every !*«*■« «»*- >« de In the material world [ may b« two fahrlea. two Miadea of

! worthy <

l«e their product. It may may be th* eettlng of horUont " »**d the end- r of Mlk Unea agalnM Vcrtl.al, or diagonal a«eur» their hi*.. Mandlng acalnat atralght. But there (■neral mod*—It Is really | to be aon-.e not* of conu

uffa. veetee and simulated patch pocket*, the latter finished wtf white Mlk t***rl* It takes only

glance to ehow the Intricacy wf

elaboration, yet th# effect 1* simplicity. The skit' Is box ed. and lh*r* U a normal w.l

print ehows i

and w# all profit thereby.

Tti A-: K ^Tuorry

e VEN the first hint* of coming fashions for spring an. 1 summer must hav# brought pie** or* to the matron, who ha* been, for *o many gstsnns. *t tb* mercy of "fUbpei"' Myles At 1 these first hints, that sugg*«tcd graceful, feminine faahlon*. ha e been followed by a gradual relinquishing of the element* of boyiabneea thpt were so Inepproprlaie to a woman of her yeere—tb* >*»■*>' wa* anything but aaUsrart.>r>. There wa* nothing kindly to th#

her first youth la th*

stark MmpUcIty of th* garments for ths Slsnder girl And the matron found companionship large women of widely varying age*, who were compelled to wear adaptations of youthful modes designed with th* slender girl

woman In mind. lAne* suited to

woman of any appearance of butkl:,<ea. U an asset. Th* mature w man. oftantln »*. 1s a lai** wornan—w# ar* dealing with th* mother and th# grandmother, now. Th# Illustration proves the style poaalblUtlca of the moment aa related to maturity Tha entire costume U la sxrrllent taste—it t* dignified, but not -Id. It is gracious, but not ovardot.• «r d Its pari* are friendly to each b#r and to th. whole. Th# material U flat crepa. and th# mage* are Mlky and heavy. suggastlor. of a sraletcoat 1* clever, and th# bit of whK* la repeated at the *:*«»» •«** The scarf la a part of the eoe.ume—one may not* lr passing that it 1# U»* depth ot th* fringe that make, it corrart—narrow

.uw ..... n affair l* i . very full, and th* affect ta mm

ft tchlngr.

UID YOU KNOW — C HAT the Zouave Jacket U attempting to oust th* bvlarw from It* popularity t Hlno* they ar* *o similar, on* would «xP*ot them to b* friends. The skirt ba-

THAT fashion Is now favoring the combination of black and balg*. Jurt t . keep black and whit* from f**llng too *ecur*T The waist of a frock may b* definitely belg* and th* skirt somberly black—If* quit* smart to thu* sharply define colog

THAT th* big thra* of fashion— so far as detail* are concerned— ar* pl*at*. tucks and fringes—yat no on* may aay which of th* three la greatest T And bands and fagoting are .-nara-up for honor* making It poeribl* for *“

achieve variety tr lines of her frock*.

t trimming and

UtU* rasemblanca to th* model# featured lu tha fashionable salons While on* may stress glmplkdty aa th* dominant not*, another may i another tonality, and In tha th* notes form a chord of harmony. It to undoubtedly and there to a deal —applied, however, with restraint. Then there U undoubted variety, and gurely ever skeptically Inclined cat flod i t>op* It. a combination of MmpHetty, femininity, restrained elaboration an l variety. Bator* analysing any mod*, ft to Wall to remember that fashion to not omnipotent. Tha element of style enter* into tha application of th* rules that fashion Mts dow: and thoa* rules ar* to b* followed only when they answer style requirement*. Tb# stylish atout woman who wear* her akin* to

tha alander a.

WITH SUtiMER fftttmiiMD

jiter parade brought out i, .urge hats. In aplta of . cdiction that only when

Its i

tbwy b* really popular. I**rh*p* u»e brirw were not quit* a* broad

M tt.fy will be Uter. but

but in

much th* hat* themsslvaa trend tor which they stood

Tht« trend to the expected one »t , h; , i>u»eo of tie year, for many ,,, . • mbllng thalr aummer wardr , ; . and th# rest ar* dreaming

•.’.out them.

There to greater variety In th# '.erg* hat mode than there ha* been

| tureaqua*

j etaccea that quality fall* l J terlaltoe, and the wearer become* i very ordinary. ln»t*ad. Th* very ; wide brim cuts height and adds to j breadth, and no matter how lovely

r It ti

Jld b

differ

and th* small »

tr, It* plaldlng. T but the pattern t appear In gingbl toernt of gingham

klrt of th* plain crepe !» pleated i; front, and the jumper of the attorned fabric ha* a collarlea* - • kHn« finished with * band of <- plain or. p* tb-t extend* down

so—In accord with fashion— ompl*t*ly ruining her chance* U* ■gnartnea*. Wha* valu*—fewh-

loc—without style T ^

j for th* garden typ*. Milan and i leghorn and th* loosely woven j at raw* will be popular, and there 1 will be brims that droop only | slight.y aa well aa those that droop

| fiowara ar* apprev I th* pictured model d another

kindly I

> th* l

itroc. Black and

THE SUIT DEMANDS A BLOUSE

r - t 1 ” r. s..-—

And da- j Use. and we I

. i There to a decided preference being > 'he I shown for th* square neckline, *1o u* | though tb* V-lin* la Important In -base j th* mode, and thar* ar* neckline*

■ for j flnlahi

• the

uusea at# th* crepe# and « latter Including the wash oire. th* new smell-figured and th# popular Orti

lough not, themseivea, a

down color. Th«r# *:* prlnto In «ni*ll o me Jabot I pattorn* tha* become clarmlngly of the plain 11nconaplcuou* because of the closem* further nee# of the design, and there

imblne effectively and heooiuHelge 1* a poaMblUty. and. „ toior roster, ultra smart repr* are friendly, bang

model ha* an that th* blot -over th* skirt. Tucking, mono-

e# and hem of the j -eaeon. m Jumper ar* finlehed with a tucked j effect offii band. • n Two crepes, one plain, th* oiher | purposein lizard-akin detogn mak# «•»* dlctou* bl twirpleo* jROdel. ffhe | wlU» tha m

• rue( mode 1* a Ju- j neckUni

ng of tlie feminine j wtoa. But th*

Ud*•bring. IreUgvB*

unbecoming thaz

id trim mlnge—